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BIS

瑞典 BIS 官網連結

BIS公司由瑞典人羅勃‧馮‧巴爾(Robert Von Bahr)於1974年創立,因地緣與文化背景的關係,致力於北歐及蘇俄作曲家作品,如葛利格、西貝流士、尼爾森等人都是錄製的重點,至今已出版千餘張CD,榮獲英國留聲機大獎、企鵝三星帶花、企鵝三星…等不勝枚舉,是瑞典首屈一指的古典唱片公司。 
雖然BIS公司出版的作品都是一些冷門或被忽視的樂曲,但經巴爾精心策劃,並透過高度的音樂表現及一流錄音技術處理,都能順利的大量銷售,使公司一直維持良好的營運情況,毫無疑問的愛樂者對他的支持,是基於他對理想的堅持與對藝術執著的態度,BIS公司業績成長已是有目共睹,而且是一個擁有獨特理想與風格的唱片公司。 

BIS Records was founded in 1973 by Robert von Bahr, with the aim of helping world-class Swedish musicians to reach international audiences. Starting out with a Revox tape-recorder, two state-of-the-art microphones and a pair of non-magnetic scissors he immediately impressed connoisseurs by the natural sound of his recordings, and single-handedly built up a catalogue that could be exported all over the world.

 

Now in its 35th year, BIS is a flourishing and much respected label with more than 1.400 titles in stock – the only large record label to keep all its recordings constantly available. Going against the trend of the classical music business, BIS is expanding in various ways. With its present staff of 14 – including no less than six recording producers – BIS has become a leading player, yearly undertaking some 60 productions recorded all over the world: from Brazil to Japan, from Iceland to Australia.

This development is partly due to the universally recognized superior sound quality of its recordings, which include a growing number of high fidelity surround sound productions. The company’s reputation has attracted an impressive list of artists, including young high profile soloists such as pianist Yevgeny Sudbin and clarinettist Martin Fröst.

Another explanation lies in the label’s versatility. Ongoing projects include one of the most respected cycles of Bach Cantatas with period band Bach Collegium Japan as well as the highly praised series of Beethoven Symphonies with Osmo Vänskä and the Minnesota Orchestra. But at the same time, BIS is one of the liveliest contemporary music labels, promoting composers such as Schnittke and Kalevi Aho, as well as the Scandinavian music label par excellence – the jewel in the crown being the ongoing complete edition of the works by Sibelius.

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卡馬哥.瓜尼耶里:第5號交響曲、第6號交響曲、維拉里卡組曲 Camargo Guarnieri:Orchestral Music Volume 3
卡馬哥.瓜尼耶里(1907-1993)是巴西現代音樂重量級作曲家,他曾赴法國留學,追隨名師柯奇林,回國後長期任教音樂院,也曾多次赴美指揮自身作品。美國大作曲家柯普蘭讚譽其曲風帶著深沉巴西敏銳的溫..
口哨的花腔藝術 Leo Eide - Whistling Virtuoso
除非您親耳聽到,不然絕對無法相信會有這種事!一般人閒來無事吹吹口哨多不過一分鐘,因為這種消前需要耗費大量力氣,並且還要嘴唇的強力配合才能達到好玩的效果,隨便吹吹容易辦到,但是要吹得好可就難了,不..
古今交會~直笛四重奏作品集 Now & Then
早期音樂的復興運動將巴洛克音樂重新回溯至源頭-舞曲。當中有部分對歌劇院以及音樂廳起了莫大的影響。但現在有許多樂團將舞曲元素推展至另一個層次:這可不只是另一個後現代跨界實驗,而是將音樂的抽象、物理..
古代遺跡:巴哈/道蘭/伊薩克/馬修作品 Antiquities - Music for viola and accordion
本輯主體乃是將古曲改編成由中提琴和手風琴擔綱的特殊組合用曲。曲目包括:十四世紀作曲家紀堯姆.馬修的《23號經文歌》和《14號輪旋曲》,前者主旨在祈求聖母的慈悲;十五世紀作曲家伊薩克的兩首《模仿彌..
古典柯克比:根據古典主題所寫的17世紀英國歌曲 Classical Kirkby Orpheus and Corinna - 17th century English songs on classical themes  (Emma Kirkby, Anthony Rooley)
英國第一把交椅巴洛克女高音艾瑪.柯克比(1949年生),她早年在牛津大學唸古典文學,同時也研習聲樂。畢業後經常跟「古樂復甦運動」的重要人物帕洛特、霍格伍德和廬里(魯特琴名家)搭檔演出,成為最受歡..
古典長號協奏曲集 Classical Trombone Concertos
一九六○年代初期,幾乎沒有人知道有任何古典長號協奏曲的存在,直到哈農庫特發表瓦根賽爾(奧國女皇的音樂老師)《降E大調長號協奏曲》錄音,才逐漸引發注目。後來學者又找出麥可.海頓(約瑟夫.海頓之弟)..
古拜杜麗娜 / 太陽的聖歌  Gubaidulina – Sonnengesang
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古拜杜麗娜:懺悔~獨奏與室內樂作品 Sofia Gubaidulina:Repentance
在蘇菲亞.古拜杜麗娜的創作當中以獨奏和室內樂作品格外引人注目,光是這兩類作品她就發表過超過八十首。當被問到古拜杜麗娜的作品中最吸引他的是什麼,基頓.克萊曼回答「她的音樂永遠都有種神秘感和訊息。她..
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史克里亞賓、梅特納:鋼琴協奏曲 (蘇德賓, 利頓, 卑爾根愛樂) Scriabin & Medtner:Piano Concertos (Sudbin, Litton, Bergen Philharmonic Orchestra)
2015年,蘇德賓立刻推出新作,梅特納和史克里亞賓兩人都是他先前曾經挑戰過的作曲家,2007年他的史克里亞賓鋼琴獨奏作品(BIS-1568)獲得一致好評:古典今日網說「精挑細選,演奏極佳的史克里..