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BIS

瑞典 BIS 官網連結

BIS公司由瑞典人羅勃‧馮‧巴爾(Robert Von Bahr)於1974年創立,因地緣與文化背景的關係,致力於北歐及蘇俄作曲家作品,如葛利格、西貝流士、尼爾森等人都是錄製的重點,至今已出版千餘張CD,榮獲英國留聲機大獎、企鵝三星帶花、企鵝三星…等不勝枚舉,是瑞典首屈一指的古典唱片公司。 
雖然BIS公司出版的作品都是一些冷門或被忽視的樂曲,但經巴爾精心策劃,並透過高度的音樂表現及一流錄音技術處理,都能順利的大量銷售,使公司一直維持良好的營運情況,毫無疑問的愛樂者對他的支持,是基於他對理想的堅持與對藝術執著的態度,BIS公司業績成長已是有目共睹,而且是一個擁有獨特理想與風格的唱片公司。 

BIS Records was founded in 1973 by Robert von Bahr, with the aim of helping world-class Swedish musicians to reach international audiences. Starting out with a Revox tape-recorder, two state-of-the-art microphones and a pair of non-magnetic scissors he immediately impressed connoisseurs by the natural sound of his recordings, and single-handedly built up a catalogue that could be exported all over the world.

 

Now in its 35th year, BIS is a flourishing and much respected label with more than 1.400 titles in stock – the only large record label to keep all its recordings constantly available. Going against the trend of the classical music business, BIS is expanding in various ways. With its present staff of 14 – including no less than six recording producers – BIS has become a leading player, yearly undertaking some 60 productions recorded all over the world: from Brazil to Japan, from Iceland to Australia.

This development is partly due to the universally recognized superior sound quality of its recordings, which include a growing number of high fidelity surround sound productions. The company’s reputation has attracted an impressive list of artists, including young high profile soloists such as pianist Yevgeny Sudbin and clarinettist Martin Fröst.

Another explanation lies in the label’s versatility. Ongoing projects include one of the most respected cycles of Bach Cantatas with period band Bach Collegium Japan as well as the highly praised series of Beethoven Symphonies with Osmo Vänskä and the Minnesota Orchestra. But at the same time, BIS is one of the liveliest contemporary music labels, promoting composers such as Schnittke and Kalevi Aho, as well as the Scandinavian music label par excellence – the jewel in the crown being the ongoing complete edition of the works by Sibelius.

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巴哈:清唱劇第41集 - 我願歡喜背起十字架BWV56、我心已滿足BWV82、平安與你同在BWV158、我滿足自己的福份BWV84 Bach:Cantatas Vol.41 - BWV56, 82 & 158
As on two other recent instalments (Vols 37 & 38) in his Cantata cycle,..
巴哈:清唱劇第43集 Bach:Cantatas Vol. 43
  Unser Mund sei voll Lachens, BWV110 &..
巴哈:清唱劇第44集 Bach:Cantatas Vol. 44
..
巴哈:清唱劇第52集 Bach:Cantatas Vol.52
鈴木雅明巴哈清唱劇系列 在這套劃時代的巴哈宗教清唱劇第52集內,鈴木雅明挑選了巴哈最為人喜愛的清唱劇「沉睡者醒來吧」BWV 140。以耳熟能詳的合唱作為統一整體的元素,巴哈先在第一樂章以..
巴哈:清唱劇第53集 Bach:Cantatas Vol.53
鈴木雅明巴哈清唱劇系列 專輯內的三部清唱劇皆是1730年代前半完成,此時的巴哈已經不再像以往每個星期都會有一部新的清唱劇問世。在這些晚期作品之中,巴哈對樂器間色彩的喜好傾向更為直接也更具..
巴哈:清唱劇第54集 - BWV 100, 14, 197, 197a Bach:Cantatas Vol.54 - BWV 100, 14, 197, 197a
鈴木雅明巴哈清唱劇系列 ..
巴哈:清唱劇第55集 - BWV 69, 30, 191 Bach:Cantatas Vol.55 - BWV 69, 30, 191
國際唱片評論「鈴木的詮釋可以讓你聽到巴哈的心跳」、美國號角雜誌「流傳百代的套裝」 這樣的評價絕非偶然,從1995年開始到2013年劃下句點,這套由55張CD組成的巴哈..
巴哈:無伴奏大提琴組曲第一、四、五號(中提琴改編版) Bach:Suites Nos 1, 4, 5
巴哈寫給大提琴的無伴奏組曲從完成之後的兩百年間,一直是定位相當模糊的存在。1720年完稿的時候,組曲這種形式已經有點退流行,組曲當中固定使用的舞曲格式有許多更是已經過時。更進一步來說,當時大提琴..
巴哈:無伴奏大提琴組曲第二、三、六號 (麥可森.瑞沙諾夫中提琴改編版) Bach:Suites Nos 2, 3 & 6
2010年瑞沙諾夫發行了第一張巴哈無伴奏大提琴的中提琴版之後大受好評,週日泰晤士報甚至說「這張專輯根本接近完美,唯一缺點就是沒有一次錄完六首」雖然評論有時難免得誇張些,但也顯現瑞沙諾夫的精湛造詣..
巴哈:第四、六號組曲 J.S. Bach:Partita No. 4 and 6
..