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BIS

瑞典 BIS 官網連結

BIS公司由瑞典人羅勃‧馮‧巴爾(Robert Von Bahr)於1974年創立,因地緣與文化背景的關係,致力於北歐及蘇俄作曲家作品,如葛利格、西貝流士、尼爾森等人都是錄製的重點,至今已出版千餘張CD,榮獲英國留聲機大獎、企鵝三星帶花、企鵝三星…等不勝枚舉,是瑞典首屈一指的古典唱片公司。 
雖然BIS公司出版的作品都是一些冷門或被忽視的樂曲,但經巴爾精心策劃,並透過高度的音樂表現及一流錄音技術處理,都能順利的大量銷售,使公司一直維持良好的營運情況,毫無疑問的愛樂者對他的支持,是基於他對理想的堅持與對藝術執著的態度,BIS公司業績成長已是有目共睹,而且是一個擁有獨特理想與風格的唱片公司。 

BIS Records was founded in 1973 by Robert von Bahr, with the aim of helping world-class Swedish musicians to reach international audiences. Starting out with a Revox tape-recorder, two state-of-the-art microphones and a pair of non-magnetic scissors he immediately impressed connoisseurs by the natural sound of his recordings, and single-handedly built up a catalogue that could be exported all over the world.

 

Now in its 35th year, BIS is a flourishing and much respected label with more than 1.400 titles in stock – the only large record label to keep all its recordings constantly available. Going against the trend of the classical music business, BIS is expanding in various ways. With its present staff of 14 – including no less than six recording producers – BIS has become a leading player, yearly undertaking some 60 productions recorded all over the world: from Brazil to Japan, from Iceland to Australia.

This development is partly due to the universally recognized superior sound quality of its recordings, which include a growing number of high fidelity surround sound productions. The company’s reputation has attracted an impressive list of artists, including young high profile soloists such as pianist Yevgeny Sudbin and clarinettist Martin Fröst.

Another explanation lies in the label’s versatility. Ongoing projects include one of the most respected cycles of Bach Cantatas with period band Bach Collegium Japan as well as the highly praised series of Beethoven Symphonies with Osmo Vänskä and the Minnesota Orchestra. But at the same time, BIS is one of the liveliest contemporary music labels, promoting composers such as Schnittke and Kalevi Aho, as well as the Scandinavian music label par excellence – the jewel in the crown being the ongoing complete edition of the works by Sibelius.

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本-海姆:小提琴協奏曲/練習曲 伊塔瑪.佐曼 小提琴	Itamar Zorman / Evocation - violin works by Paul Ben-Haim
Paul Frankenburgerleft his native Germany in 1933 in response to the ..
李斯特:天鵝之歌(原舒伯特聯篇歌曲) 坎.卡默鋼琴	Can Cakmur / Liszt / Schubert – Schwanengesang
李斯特:天鵝之歌(原舒伯特聯篇歌曲)/被遺忘的四首圓舞曲 坎.卡默 鋼琴 Franz Liszt's ..
李斯特、梅湘:鋼琴音樂 Liszt & Messiaen:Piano Music
李斯特是19世紀風靡歐陸的鋼琴家兼作曲家,梅湘則是22歲接任巴黎聖三一教堂的管風琴職位直到終老。第一眼看到兩位風格不同的作曲家被並列在同一張專輯,似乎有點奇妙。瑞典鋼琴家(同時也是神經科學家)費..
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李斯特:小提琴與鋼琴作品集 Liszt:Works for Violin and Piano (Ulf Wallin, violin / Roland Pontinen, piano)
雖然李斯特活了將近75歲,卻在36歲那年決定舉辦演出生涯的最後音樂會,即便如此,他身為鋼琴巨匠的印象依舊深植人心,他寫給鋼琴獨奏的許多重量級作品同樣令人難忘。令人訝異的是,李斯特一生有超過八百首..
李斯特:管弦作品 Liszt:Orchestra Works
01. Les preludes 15:59 02. Orpheus 10:11 03. Tasso: lamento e trionfo 20:19 ..
李斯特:超技練習曲 Liszt:12 Etudes d’execution transcendante
1826年十五歲的李斯特寫了十二首鋼琴獨奏練習曲,1838年做了第一次修訂,1852年出版最終決定版,樂曲變得充滿深度與個性,已經跳脫一般意義下的展技練習目的。十二曲之中,除了第二首和第十首之外..
李斯特:鋼琴協奏曲 (亞歷山大.康特洛夫) Liszt:Piano Concertos (Alexandre Kantorow, piano / Jean-Jacques Kantorow / Tapiola Sinfonietta)
青少年時期的李斯特至少就寫過兩首重量級的鋼琴協奏曲,遺憾的是從未出版而且手稿亡佚,儘管如此,在1830年代當他決心成為作曲家時還是有少數殘存的片段證明他曾經使用過其中的主題和概念。給鋼琴和弦樂的..
李斯特:鋼琴協奏曲 Liszt:Piano Concertos、Totentanz
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李蓋悌-大提琴,鋼琴協奏曲集 BIT20 Ensemble / Ligeti – Concertos
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