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BIS

瑞典 BIS 官網連結

BIS公司由瑞典人羅勃‧馮‧巴爾(Robert Von Bahr)於1974年創立,因地緣與文化背景的關係,致力於北歐及蘇俄作曲家作品,如葛利格、西貝流士、尼爾森等人都是錄製的重點,至今已出版千餘張CD,榮獲英國留聲機大獎、企鵝三星帶花、企鵝三星…等不勝枚舉,是瑞典首屈一指的古典唱片公司。 
雖然BIS公司出版的作品都是一些冷門或被忽視的樂曲,但經巴爾精心策劃,並透過高度的音樂表現及一流錄音技術處理,都能順利的大量銷售,使公司一直維持良好的營運情況,毫無疑問的愛樂者對他的支持,是基於他對理想的堅持與對藝術執著的態度,BIS公司業績成長已是有目共睹,而且是一個擁有獨特理想與風格的唱片公司。 

BIS Records was founded in 1973 by Robert von Bahr, with the aim of helping world-class Swedish musicians to reach international audiences. Starting out with a Revox tape-recorder, two state-of-the-art microphones and a pair of non-magnetic scissors he immediately impressed connoisseurs by the natural sound of his recordings, and single-handedly built up a catalogue that could be exported all over the world.

 

Now in its 35th year, BIS is a flourishing and much respected label with more than 1.400 titles in stock – the only large record label to keep all its recordings constantly available. Going against the trend of the classical music business, BIS is expanding in various ways. With its present staff of 14 – including no less than six recording producers – BIS has become a leading player, yearly undertaking some 60 productions recorded all over the world: from Brazil to Japan, from Iceland to Australia.

This development is partly due to the universally recognized superior sound quality of its recordings, which include a growing number of high fidelity surround sound productions. The company’s reputation has attracted an impressive list of artists, including young high profile soloists such as pianist Yevgeny Sudbin and clarinettist Martin Fröst.

Another explanation lies in the label’s versatility. Ongoing projects include one of the most respected cycles of Bach Cantatas with period band Bach Collegium Japan as well as the highly praised series of Beethoven Symphonies with Osmo Vänskä and the Minnesota Orchestra. But at the same time, BIS is one of the liveliest contemporary music labels, promoting composers such as Schnittke and Kalevi Aho, as well as the Scandinavian music label par excellence – the jewel in the crown being the ongoing complete edition of the works by Sibelius.

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柴可夫斯基:第三號交響曲 Tchaikovsky:Symphony No. 3, etc.
International Record Review: Oustanding May 2011; Classics Today 10/10; Mus..
柴可夫斯基:第二號交響曲《小俄羅斯》/序曲集 Tchaikovsky:Symphony No. 2
柴可夫斯基《C小調第二號交響曲,Op17》是1872年夏天在烏克蘭基輔省姊姊家裡開始動筆,當時他曾寫信給弟弟莫德斯特表示「這是我所寫過最好的作品」。1873年元月他在聖彼得堡林姆斯基高沙可夫家裡..
柴可夫斯基:第五號交響曲、天鵝湖組曲 Tchaikovsky:Symphony No.5; Swan Lake Suite
柴可夫斯基的第五號交響曲是林伯格第一次聽到的交響曲,當時他才10歲。九年後他終於以瑞典廣播交響樂團銅管部門一員的職業音樂家身份首次演出這首作品。再經過多年,當時的樂團長號手不但搖身一變成為國際知..
柴可夫斯基:第六號交響曲「悲愴」、羅密歐與茱麗葉 Tchaikovsky:Symphony No.6 in B minor, ‘Pathétique’, Op.74
這兩首來自柴可夫斯基人生最後階段的作品,在樂曲終段皆以悲劇的情感收場,彷彿暗示了作曲家的生命盡頭。第六號交響曲第四樂章「悲傷的緩板」曲末,在低音弦樂的漸弱氣氛引領下,彷彿進入深邃幽冥的墓穴之中,幻..
柴可夫斯基:第四號交響曲	Tchaikovsky – Symphony No.4
The time has now come to Symphony No.4, which – along with No.5 – Tchaikovs..
柴可夫斯基:G大調大奏鳴曲│四季 Tchaikovsky:The Seasons
柴可夫斯基雖然寫過像鋼琴協奏曲這般廣受歡迎的作品,但是相較之下他的鋼琴獨奏作品在音樂會上反倒不是那麼常見。有些評論認為他畢竟不像蕭邦或李斯特這種身兼鋼琴家與作曲家的類型,也沒有針對鍵盤技巧或風格..
梁祝 The Butterfly Lovers
著名小提琴家呂思清無疑是當今國際樂壇最傑出的中國小提琴家之一。作為第一位奪得國際小提琴藝術最高獎項之一——義大利帕格尼尼小提琴大賽金獎的東方人,他那美妙絕倫、激動人心的琴聲早已遍佈世界著名的演出..
梅納翰.普雷斯勒的演奏藝術 Menahem Pressler plays Beethoven, Schubert & Chopin
1821年聖誕節貝多芬完成奏鳴曲作品110號,對照姊妹作作品111號的浩瀚冥想,前者就像是對照組映襯出世俗的人道,作品溫暖親切但沒太多的驚異感,也是貝多芬三首最後奏鳴曲中技巧負荷最少的,儘管如此..
Jan Sandstrom (b. 1954) is among the most frequently performed Swedish comp..
橫跨三世紀的小提琴協奏曲(賈伯特/巴哈/佩爾特/法斯克斯) 巴特杰 小提琴 傑佛瑞·卡海內 指揮 洛杉磯愛樂管弦樂團	Margaret Batjer / Jalbert, Bach, Part & Vasks: Music for Violin & Orchestra
賈伯特/巴哈/佩爾特/法斯克斯 橫跨三世紀的小提琴協奏曲 巴特杰 小提琴 傑佛瑞·卡海內 指揮 洛杉磯..