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BIS

瑞典 BIS 官網連結

BIS公司由瑞典人羅勃‧馮‧巴爾(Robert Von Bahr)於1974年創立,因地緣與文化背景的關係,致力於北歐及蘇俄作曲家作品,如葛利格、西貝流士、尼爾森等人都是錄製的重點,至今已出版千餘張CD,榮獲英國留聲機大獎、企鵝三星帶花、企鵝三星…等不勝枚舉,是瑞典首屈一指的古典唱片公司。 
雖然BIS公司出版的作品都是一些冷門或被忽視的樂曲,但經巴爾精心策劃,並透過高度的音樂表現及一流錄音技術處理,都能順利的大量銷售,使公司一直維持良好的營運情況,毫無疑問的愛樂者對他的支持,是基於他對理想的堅持與對藝術執著的態度,BIS公司業績成長已是有目共睹,而且是一個擁有獨特理想與風格的唱片公司。 

BIS Records was founded in 1973 by Robert von Bahr, with the aim of helping world-class Swedish musicians to reach international audiences. Starting out with a Revox tape-recorder, two state-of-the-art microphones and a pair of non-magnetic scissors he immediately impressed connoisseurs by the natural sound of his recordings, and single-handedly built up a catalogue that could be exported all over the world.

 

Now in its 35th year, BIS is a flourishing and much respected label with more than 1.400 titles in stock – the only large record label to keep all its recordings constantly available. Going against the trend of the classical music business, BIS is expanding in various ways. With its present staff of 14 – including no less than six recording producers – BIS has become a leading player, yearly undertaking some 60 productions recorded all over the world: from Brazil to Japan, from Iceland to Australia.

This development is partly due to the universally recognized superior sound quality of its recordings, which include a growing number of high fidelity surround sound productions. The company’s reputation has attracted an impressive list of artists, including young high profile soloists such as pianist Yevgeny Sudbin and clarinettist Martin Fröst.

Another explanation lies in the label’s versatility. Ongoing projects include one of the most respected cycles of Bach Cantatas with period band Bach Collegium Japan as well as the highly praised series of Beethoven Symphonies with Osmo Vänskä and the Minnesota Orchestra. But at the same time, BIS is one of the liveliest contemporary music labels, promoting composers such as Schnittke and Kalevi Aho, as well as the Scandinavian music label par excellence – the jewel in the crown being the ongoing complete edition of the works by Sibelius.

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永遠自由~女高音米婭.佩爾松歌劇選曲集 MIAH PERSSON - Sempre libera
This recording took place in conjunction with public concerts on 2nd and..
汝乃吾等生命之光~紐斯泰特 & 巴哈:合唱作品 Nystedt / Bach:Meins Lebens Licht
1950年挪威合唱指揮暨作曲家努特.紐斯泰特創立挪威獨唱家合唱團,並擔任首席長達四十年,其間他率領樂團從一個顛峰邁向另一個高峰,1990年他特地與子弟兵舉辦告別音樂會揮別樂壇。合唱團對紐斯泰特而..
法國及德國的巴洛克魯特琴音樂 雅克伯.林柏格 魯特琴 / Jakob Lindberg / A Lute by Sixtus Rauwolf – French & German Baroque Music
The lute by Sixtus Rauwolf heard on this recording was probably built in th..
法國小號協奏曲 French Trumpet Conccertos
巴洛克時期可以視作小號作品盛產的黃今年代,之後似乎便逐漸與往昔榮光漸行漸遠。除了在軍樂的用途,小號幾乎淪為二線角色,甚至連白遼士都曾在1844年說小號是受到限制的樂器,不是用於毫無差異替代功能,..
法國演奏學派的回顧 A la française - Music for saxophone and piano
法國薩克斯風演奏學派,一向以圓潤、持續的鳴響,清晰的發聲法,以及細緻的表情著稱。學派宗師慕爾堅持,無論顫音或響度,都要替音樂性、表情、溝通與敘述服務,他強調,音樂必須流暢,並且說出精彩故事。本片..
法國管弦樂作品 French Orchestral Music
Francis Poulenc Sinfonietta pour orchestre (1947)   1.    I. Allegro con ..
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法國美女與瑞典野獸 French Beauties and Swedish Beasts~Music for Clarinet
就像人性有美麗與醜陋、光輝與黑暗的對比,在音樂的領域裡,同樣可以呈現出截然不同的極端,或許在音樂的內涵意境上、或許在創作的不同國度中,往往都能相對應,甚至巧妙構成了如同童話「美女與野獸」般的完美..
法國薩克斯風曲集
雖然薩克斯風最早是比利時人Sax發明的,但其發明成熟,乃至首次公開演出都是在巴黎。1857年,薩克斯風成為軍樂家訓練的樂器,然沒多久即因經濟因素被棄置了好幾世代。薩克斯風真正興盛始於法國,在19..
法國號協奏曲集 Horn Concertos
瑞典出生的法國號名家索倫.赫曼森,早在二十二歲求學時代便展露光芒,無論於獨奏或室內樂上,他充滿活力的演出總讓人激賞不已,如今更是國際級的法國號大師。在赫曼森的第二張個人專輯裡,他與瑞典最北方也是..