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BIS

瑞典 BIS 官網連結

BIS公司由瑞典人羅勃‧馮‧巴爾(Robert Von Bahr)於1974年創立,因地緣與文化背景的關係,致力於北歐及蘇俄作曲家作品,如葛利格、西貝流士、尼爾森等人都是錄製的重點,至今已出版千餘張CD,榮獲英國留聲機大獎、企鵝三星帶花、企鵝三星…等不勝枚舉,是瑞典首屈一指的古典唱片公司。 
雖然BIS公司出版的作品都是一些冷門或被忽視的樂曲,但經巴爾精心策劃,並透過高度的音樂表現及一流錄音技術處理,都能順利的大量銷售,使公司一直維持良好的營運情況,毫無疑問的愛樂者對他的支持,是基於他對理想的堅持與對藝術執著的態度,BIS公司業績成長已是有目共睹,而且是一個擁有獨特理想與風格的唱片公司。 

BIS Records was founded in 1973 by Robert von Bahr, with the aim of helping world-class Swedish musicians to reach international audiences. Starting out with a Revox tape-recorder, two state-of-the-art microphones and a pair of non-magnetic scissors he immediately impressed connoisseurs by the natural sound of his recordings, and single-handedly built up a catalogue that could be exported all over the world.

 

Now in its 35th year, BIS is a flourishing and much respected label with more than 1.400 titles in stock – the only large record label to keep all its recordings constantly available. Going against the trend of the classical music business, BIS is expanding in various ways. With its present staff of 14 – including no less than six recording producers – BIS has become a leading player, yearly undertaking some 60 productions recorded all over the world: from Brazil to Japan, from Iceland to Australia.

This development is partly due to the universally recognized superior sound quality of its recordings, which include a growing number of high fidelity surround sound productions. The company’s reputation has attracted an impressive list of artists, including young high profile soloists such as pianist Yevgeny Sudbin and clarinettist Martin Fröst.

Another explanation lies in the label’s versatility. Ongoing projects include one of the most respected cycles of Bach Cantatas with period band Bach Collegium Japan as well as the highly praised series of Beethoven Symphonies with Osmo Vänskä and the Minnesota Orchestra. But at the same time, BIS is one of the liveliest contemporary music labels, promoting composers such as Schnittke and Kalevi Aho, as well as the Scandinavian music label par excellence – the jewel in the crown being the ongoing complete edition of the works by Sibelius.

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莫札特:四首法國號協奏曲 Mozart:The Four Hornbone Concertos (C.Lindberg, trb. / Tapiola Sinfonietta / Kantorow)
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莫札特:嬉遊曲K563、舒伯特:弦樂三重奏D471 Mozart:Divertimento in E flat major, K563、Schubert:String Trio in B flat major, D471
音樂學者艾因斯坦曾說莫札特的降E大調弦樂三重奏嬉遊曲「每個樂器都是平起平坐,每顆音符都是獨一無二」。想想看,能夠拿來當作齊瑪曼三重奏-這個當紅的室內樂團-首張專輯的主打曲目,除了這首之外,還有什麼..
莫札特:安魂曲&懺悔者的莊嚴晚禱 Mozart:Requiem & Vesperae solennes de confessore
自從1791年完稿以來,莫札特的《安魂曲》已經成為音樂史上最指標性的作品之一。主要的原因當然是音樂特色:早在1814年E.T.A.霍夫曼就曾形容安魂曲堪稱「當代獻給教會最頂尖的成就」。但關於這部..
莫札特:弦樂五重奏全集第一集 Mozart:Complete String Quintets, Vol. 1
String Quintet in C, K.V.515 36:10 01 I. Allegro 13:50 02 II. Andante 09:30 03 III. ..
莫札特:弦樂五重奏全集第三集 Mozart:Complete String Quintets, Vol. 3
String Quintet in B flat major, K.V.174 I. Allegro moderato II. Adagio II. Menuetto m..
莫札特:弦樂五重奏全集第二集 Mozart:Complete String Quintets, Vol. 2
String Quintet in G minor, K.V.516 l. Allegro IL Menuetto. Allegretto 15'42 IIl. Adag..
莫札特:歌劇與音樂會詠嘆調選集  Mozart:Opera and Concert Arias
在莫札特那個年代,各類型詠嘆調往往係針對特定歌手而寫,因此必須考慮其音色、聲音幅度、品質與缺點等諸多因素,莫札特則跳脫固定類型的束縛,將之昇華,寫出真實的人類情感,讓歌者從簡單的娛樂角色轉化成為..
莫札特:第10-12號鋼琴奏鳴曲 Noriko Ogawa plays Mozart Piano Sonatas Nos. 10-12
無論是最近發行的德布西鋼琴作品全集,還是拉赫曼尼諾夫的鋼琴協奏曲,甚至是像武滿徹這樣的當代作品,似乎都難不倒小川典子(1973年生),這位里茲國際鋼琴比賽第三名的鋼琴家在賽程結束後反而受到不少注..
莫札特:第14、21號鋼琴協奏曲  Mozart:Piano Concertos Nos 14 & 21
1784年莫札特開始把自己的作品有系統的寫入一本小冊子,並說這是「我所有作品的目錄」,2月9日莫札特將降E大調第14號鋼琴協奏曲納入這本目錄中,算是相當早被編入的作品之一。13個月後他又完成了C..
莫札特:第15號、第16號鋼琴協奏曲 Mozart:Piano Concertos Nos 15 & 16
1784年5月,就在完成第15、16號兩首鋼琴協奏曲不久後,莫札特寫給父親的信中提到「這兩首協奏曲絕對會讓演奏者汗流浹背」。 在其他往返的通信裡面,他還提及管樂器在兩這首作品有其特殊重要..