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BIS

瑞典 BIS 官網連結

BIS公司由瑞典人羅勃‧馮‧巴爾(Robert Von Bahr)於1974年創立,因地緣與文化背景的關係,致力於北歐及蘇俄作曲家作品,如葛利格、西貝流士、尼爾森等人都是錄製的重點,至今已出版千餘張CD,榮獲英國留聲機大獎、企鵝三星帶花、企鵝三星…等不勝枚舉,是瑞典首屈一指的古典唱片公司。 
雖然BIS公司出版的作品都是一些冷門或被忽視的樂曲,但經巴爾精心策劃,並透過高度的音樂表現及一流錄音技術處理,都能順利的大量銷售,使公司一直維持良好的營運情況,毫無疑問的愛樂者對他的支持,是基於他對理想的堅持與對藝術執著的態度,BIS公司業績成長已是有目共睹,而且是一個擁有獨特理想與風格的唱片公司。 

BIS Records was founded in 1973 by Robert von Bahr, with the aim of helping world-class Swedish musicians to reach international audiences. Starting out with a Revox tape-recorder, two state-of-the-art microphones and a pair of non-magnetic scissors he immediately impressed connoisseurs by the natural sound of his recordings, and single-handedly built up a catalogue that could be exported all over the world.

 

Now in its 35th year, BIS is a flourishing and much respected label with more than 1.400 titles in stock – the only large record label to keep all its recordings constantly available. Going against the trend of the classical music business, BIS is expanding in various ways. With its present staff of 14 – including no less than six recording producers – BIS has become a leading player, yearly undertaking some 60 productions recorded all over the world: from Brazil to Japan, from Iceland to Australia.

This development is partly due to the universally recognized superior sound quality of its recordings, which include a growing number of high fidelity surround sound productions. The company’s reputation has attracted an impressive list of artists, including young high profile soloists such as pianist Yevgeny Sudbin and clarinettist Martin Fröst.

Another explanation lies in the label’s versatility. Ongoing projects include one of the most respected cycles of Bach Cantatas with period band Bach Collegium Japan as well as the highly praised series of Beethoven Symphonies with Osmo Vänskä and the Minnesota Orchestra. But at the same time, BIS is one of the liveliest contemporary music labels, promoting composers such as Schnittke and Kalevi Aho, as well as the Scandinavian music label par excellence – the jewel in the crown being the ongoing complete edition of the works by Sibelius.

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葛拉納多斯:哥雅畫景 Granados:Goyescas (Joop Celis, piano)
提到西班牙作曲家葛拉納多斯(1867-1916),通常大家最先想到的莫過於兩冊鋼琴獨奏作品《哥雅畫景》。顧名思義靈感來源為西班牙畫家法蘭西斯科·德·哥雅的藝術與身處的時代。這首作品在西班牙音樂史..
葛甘孺:中國狂想曲 Ge, Gan-Ru:Chinese Rhapsody (RSNO, José Serebrier)
被葛洛夫音樂辭典推許為中國第一個前衛作曲家的葛甘孺,1954年生於上海。他從小學小提琴,高中時期被下放集體農場,在那裡遇見上海交響樂團首席,得到啟發。改革開放之後,他進上海音樂院,隨陳剛學作曲。..
葛甘孺:長笛協奏曲「孟姜女」、管弦組曲「霸王別姬」 GE, Gan-Ru:Fairy Lady Meng Jiang / Lovers Besieged
葛甘孺於1954年在上海出生,在文化大革命的年代,西方音樂被視為毒蛇猛獸,只能私下研讀接觸。直到中國的政治文化氣氛逐漸轉變,葛氏成為上海音樂院重新運作後的第一批學生。在那裡他接觸了約翰.凱吉喬治..
葛魯伯&施威爾特斯克:小號作品 Håkan Hardenberger plays Gruber & Schwertsik
  專輯內的三首樂曲都與小號獨奏家哈康.哈登伯格有關。1999年這位知名的小號演奏家要求葛魯伯將他的3首MOB小品改寫給小號與管弦樂團;八年後葛魯伯又寫了街頭雜耍協奏曲,他的長..
葛魯伯:街頭雜耍協奏曲 HK Gruber:Busking
..
蓋希文:藍色狂想曲、F大調鋼琴協奏曲、第二號狂想曲、「我抓到節奏」變奏曲 Gershwin:Rhapsody in Blue、Piano Concerto in F、Second Rhapsody、Variations on ‘I Got Rhythm’
近代美國音樂當中能像蓋希文藍色狂想曲這般一開始便讓人留下深刻印象的,說起來可能還真的不多。這段以豎笛滑奏破題的段落,即便是鮮少接觸古典樂的朋友也絕對不陌生。特別是因為成功將大眾流行和藝術音樂揉合..
蓋爾.特威特:挪威鄉土提琴協奏曲、Nykken交響繪畫 Geirr Tveitt:Concertos for Hardanger Fiddle, etc.
蓋爾.特威特(1908-1981)是去世之後聲望卻越來越高的挪威作曲家,他早年曾留學萊比錫音樂院,鋼琴和指揮都很拿手,並且善於譜寫結合挪威與法國音樂芬芳的樂曲。繼《普瑞拉號角》/《太陽神交響曲》..
蓋爾.特威特:普瑞拉號角、太陽神交響曲 Geirr Tveitt:Prillar、Sun God Symphony
挪威作曲家蓋爾.特威特(1908-1981)早年留學萊比錫音樂院,除了寫曲,他也是非常優秀的鋼琴家和指揮家。其作品由於以高度創意結合挪威與法國音樂的芬芳,在巴黎特別受到敬重。本輯收錄管絃樂曲兩首..
蕭士塔高維契/包以斯狄姆: 小提琴協奏曲 恩碧歐.荷姆欣 小提琴 維也納交響樂團 / Eldbjorg Hemsing / Borgstrom & Shostakovich - Violin Concertos
Eldbjørg Hemsing has been a household name in her native Norway since childhood and made her..
蕭士塔高維契/里茲特拉姆: 大提琴作品集  里茲特拉姆 大提琴 阿胥肯納吉 指揮 牛津愛樂交響樂團  / Ashkenazy / Lidstrom & Shostakovich – works for cello and orchestra
Vladimir Ashkenazy and Mats Lidström began their collaboration in London in..