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BIS

瑞典 BIS 官網連結

BIS公司由瑞典人羅勃‧馮‧巴爾(Robert Von Bahr)於1974年創立,因地緣與文化背景的關係,致力於北歐及蘇俄作曲家作品,如葛利格、西貝流士、尼爾森等人都是錄製的重點,至今已出版千餘張CD,榮獲英國留聲機大獎、企鵝三星帶花、企鵝三星…等不勝枚舉,是瑞典首屈一指的古典唱片公司。 
雖然BIS公司出版的作品都是一些冷門或被忽視的樂曲,但經巴爾精心策劃,並透過高度的音樂表現及一流錄音技術處理,都能順利的大量銷售,使公司一直維持良好的營運情況,毫無疑問的愛樂者對他的支持,是基於他對理想的堅持與對藝術執著的態度,BIS公司業績成長已是有目共睹,而且是一個擁有獨特理想與風格的唱片公司。 

BIS Records was founded in 1973 by Robert von Bahr, with the aim of helping world-class Swedish musicians to reach international audiences. Starting out with a Revox tape-recorder, two state-of-the-art microphones and a pair of non-magnetic scissors he immediately impressed connoisseurs by the natural sound of his recordings, and single-handedly built up a catalogue that could be exported all over the world.

 

Now in its 35th year, BIS is a flourishing and much respected label with more than 1.400 titles in stock – the only large record label to keep all its recordings constantly available. Going against the trend of the classical music business, BIS is expanding in various ways. With its present staff of 14 – including no less than six recording producers – BIS has become a leading player, yearly undertaking some 60 productions recorded all over the world: from Brazil to Japan, from Iceland to Australia.

This development is partly due to the universally recognized superior sound quality of its recordings, which include a growing number of high fidelity surround sound productions. The company’s reputation has attracted an impressive list of artists, including young high profile soloists such as pianist Yevgeny Sudbin and clarinettist Martin Fröst.

Another explanation lies in the label’s versatility. Ongoing projects include one of the most respected cycles of Bach Cantatas with period band Bach Collegium Japan as well as the highly praised series of Beethoven Symphonies with Osmo Vänskä and the Minnesota Orchestra. But at the same time, BIS is one of the liveliest contemporary music labels, promoting composers such as Schnittke and Kalevi Aho, as well as the Scandinavian music label par excellence – the jewel in the crown being the ongoing complete edition of the works by Sibelius.

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貝多芬:第一、三號鋼琴協奏曲 Beethoven:Piano Concertos Nos. 1 & 3
This is the first disc in Ronald Brautigam’s Beethoven Piano Concertos cycle; part of his ongoing..
貝多芬:第三號鋼琴三重奏、第七號鋼琴三重奏《大公》 Beethoven:Piano Trios Op.1 & 97 (Kempf Trio)
儘管莫札特和海頓都對鋼琴三重奏有所貢獻,到了貝多芬手中,這種曲式才成為能夠跟弦樂四重奏平起平坐的重要室內樂。1794年完成的《C小調鋼琴三重奏,Op.1 No.3》,其調性跟《悲愴奏鳴曲》和《命..
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貝多芬:第九號交響曲「合唱」 Beethoven:Symphony No.9 ‘Choral’
《D小調第9號交響曲,Op125》係1824年貝多芬五十四歲那年之作,此前他剛完成另一個偉大作品《莊嚴彌撒》。音樂學者一般認為,《莊嚴彌撒》將宗教人文主義化,而《第9號交響曲》則將人文主義予以宗..
貝多芬:第五號鋼琴協奏、合唱幻想曲 Beethoven:Piano Concerto No.5 & Choral Fantasia
羅納德.布勞提岡的貝多芬鋼琴協奏曲系列,終於來到最後一集,貝多芬專家巴瑞.庫伯在解說冊中提到第五號是貝多芬所有協奏曲中最具備至高榮耀特質的作品。歷來第五號協奏曲一直以皇帝協奏曲的名字廣為人知,無..
貝多芬:第四、五號鋼琴協奏曲 Beethoven:Piano Concertos 4 & 5
貝多芬從一開始就知道,鋼琴協奏曲是用來證明身為作曲家和演奏者的天份野心的最佳利器,因此一到四號協奏曲都是以他自己擔任獨奏的角度作為出發點。這很明顯是受到莫札特的影響,當時才16歲的貝多芬亟欲向這..
貝多芬:鋼琴作品全集11集 - 變奏曲 Beethoven:Complete Works for Solo Piano, Vol.11
變奏曲是貝多芬最常使用的形式,當他還是個在波昂的小男孩時便寫過幾段變奏,最後一首變奏曲則是相隔四十多年後完成。這項看來無關緊要的統計,如果考量到貝多芬的戲劇風格以及變奏曲所需要的靜態和裝飾,兩者..
貝多芬:鋼琴作品全集第五集 - 第16-18號奏鳴曲 BEETHOVEN:Piano Works (Complete), Vol. 5 - Sonatas Nos. 16-18
很少系列能像羅納德.布勞提岡的貝多芬鋼琴作品集這般受到一致的好評,打從第一集就被視為新的里程碑,之後陸續的發行更被視為古鋼琴錄音的新典範。本輯奏鳴曲屬於貝多芬早期創作的末期。作品31號的三首奏鳴..
貝多芬:鋼琴奏鳴曲全集 (布勞提岡) Beethoven:The Complete Piano Sonatas (Ronald Brautigam, fortepiano)
"The 32 Piano Sonatas by Ludwig van Beethoven are often referred to as the ‘New Testament’ of the..
貝多芬:鋼琴奏鳴曲全集第二集~早期維也納奏鳴曲Op.2 Nos.1-3;Op.49 Nos.1-2 Beethoven:Complete Works for Solo Piano (2)
貝多芬最早三首鋼琴奏鳴曲係1795年形成一組出版,題獻給海頓。《F小調第一號奏鳴曲》寫出簡潔的戲劇專注,作曲家還採取節奏縮短程序,使音樂產生無情的驅動力。《A大調第二號奏鳴曲》比較開闊直率、發光..