The versatile Owain Park adds another two roles—those of singer and director—to his burgeoning Hyperion discography, while The Gesualdo Six make their label debut. Their programme of motets ranges widely across the religious musical landscapes of medieval and Tudor England.
1.Suscipe quaeso Domine[10'13]Thomas Tallis (c1505-1585)
2.Vigilate[4'08]William Byrd (1539/40-1623)
3.Loquebantur variis linguis[4'16]Thomas Tallis (c1505-1585)
4.When David heard[5'12]Thomas Tomkins (1572-1656)
5.If ye love me[2'44]Thomas Tallis (c1505-1585)
6.Libera nos, salva nos I[3'59]John Sheppard (c1515-1558)
7.Miserere mei, Deus[3'26]William Byrd (1539/40-1623)
8.Christe, qui lux es et dies I[4'40]Robert White (c1538-November 1574)
9.Veni Sancte Spiritus / Veni creator Spiritus[5'29]John Dunstaple (c1390-1453)
10.Haec dies[1'59]Thomas Morley (1557/8-1602)
11.Quemadmodum[5'53]John Taverner (c1490-1545)
12.Ave Maria, mater Dei[2'42]William Cornysh (dc1502)
13.O Lord, in thy wrath rebuke me not[3'47]Orlando Gibbons (1583-1625)
14.Deliver me from mine enemies[2'27]Robert Parsons (c1535-1572)
Ne irascaris, Domine[9'37]William Byrd (1539/40-1623)
15.Ne irascaris, Domine[4'23]
16.Civitas sancti tui[5'14]
17.Libera nos, salva nos II[2'25]John Sheppard (c1515-1558) |
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