f小調作品120/諧謔曲/G大調第一號奏鳴曲/哦,涼爽的森林/夜鶯
若有人問:”布拉姆斯編寫了幾首小提琴與鋼琴的奏鳴曲?” 許多喜愛室內樂的人大概會說是三首,也許還會說出這幾首是甚麼調(keys)與作品號碼. 若再進一步追問, 有幾人也許記得所謂的F.A.E.奏鳴曲是由年輕時的布拉姆斯, 迪特里希(Dietrich)和他們的導師羅伯舒曼合寫的一首作品. 但很少人會想到兩個版本的作品120號奏鳴曲在1894年編曲時是寫給單簧管(或中提琴)和鋼琴, 但幾年後出版時作曲者自己改編成小提琴版本. 因為降B調的單簧管音域範圍比小提琴低了四分之一, 布拉姆斯被迫在單簧管部份做相當大的修改, 連帶的鋼琴部份也需要改變, 也因此須要印製新的鋼琴樂譜.
經驗豐富的小提琴家巫魯夫.瓦林與鋼琴家羅蘭.潘提納二人組決定要錄布拉姆斯所有的奏鳴曲, 並要分成兩片CD發行. 第一片包含G大調第一號奏鳴曲, 作品78, 來自於作品120號的F小調奏鳴曲和F.A.E.奏鳴曲中的詼諧曲. 瓦林與潘提納在這張專輯曲目的結尾演奏兩首改編布拉姆斯的抒情歌曲(哦,涼爽的森林)與(夜鶯).
Asked the question ‘How many sonatas for violin and piano did Johannes Brahms compose?’, many lovers of chamber music would probably answer three, and maybe also add their respective keys and opus numbers. When pressed, a number of them would also remember the so-called F.A.E. Sonata,a collaborative effort by the young Brahms, Albert Dietrich and their mentor Robert Schumann. But very few would probably think of the two Opus 120 sonatas, composed in 1894 for clarinet (or viola) and piano, but a year later published in the composer’s own version for the violin. As the range of the B flat clarinet goes a fourth lower than that of the violin, Brahms had been forced to make considerable revisions to the clarinet part – which in turned entailed changes in the piano part, and consequently the printing of a new piano score.
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