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This album brings together two of Finzi’s most characteristic works. Dies natalis, a setting of prose and verse by the seventeenth-century metaphysical poet Thomas Traherne, is a piece of sublime concord and timelessness, music which vividly suggests the vision of a child’s innocence and unsullied perception of the world which lies at the heart of Traherne’s philosophy. Intimations of Immortality is by contrast a lament for the lost joys of Traherne’s idealized childhood. Finzi uses Wordsworth’s famous ode to convey his view that ‘a dead poet lives in many a live stockbroker’ and the result is a work of arresting beauty. |
Dies natalis Op 8 [24'20] 1 Intrada [5'08] 2 Rhapsody Recitativo stromentato [6'33] 3 The Rapture Danza [3'38] 4 Wonder Arioso [4'25] 5 The Salutation Aria [4'48] Intimations of Immortality Op 29 [42'15] 6 Andante sostenuto [5'17] 7 There was a time when meadow, grove, and stream [3'25] 8 The Rainbow comes and goes [2'27] 9 Now, while the birds thus sing a joyous song [4'21] bl Ye blessèd Creatures, I have heard the call [0'57] bm Oh evil day! if I were sullen [2'09] bn But there’s a Tree, of many, one [2'27] bo Our birth is but a sleep and a forgetting [3'41] bp Earth fills her lap with pleasures of her own [1'49] bq O joy! that in our embers [3'05] br But for those first affections [4'09] bs Then sing, ye Birds, sing, sing a joyous song! [3'56] bt And O, ye Fountains, Meadows, Hills, and Groves [4'32] |
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