These cello pieces, composed in the grip of the greatest inspiration, remind us of the extent to which the extravagant and emotional brilliance of Vivaldian (and Venetian) art reposes above all on a direct sensibility of the elements in their simplest, even crudest form. Pisendel once submitted an attempt at a concerto to his teacher. Vivaldi immediately divested it of half its notes: one must know how to leave enough space for the miracle to filter through.' (Olivier Foures)
"ANTONIO VIVALDI (1678-1741)
""Six Sonates pour violoncelle et basse continue""
Six Sonatas for Cello and Basso continuo"
Sonata no 5 in E minor / mi mineur / e-Moll, RV 40
1 I. Largo 3'09
2 II. Allegro 2'49
3 III. Largo 2'34
4 IV. Allegro 2'23
Sonata no 1 in B flat major / Si bemol majeur / B-Dur, RV 47
5 I. Largo 3'50
6 II. Allegro 3'31
7 III. Largo 2'38
8 IV. Allegro 2'09
Sonata no 3 in A minor / la mineur / a-Moll, RV 43
9 I. Largo 3'38
10 II. Allegro 3'26
11 III. Largo 3'44
12 IV. Allegro 3'08
Sonata no 4 in B flat major / Si bemol majeur / B-Dur, RV 45
13 I. Largo 3'24
14 II. Allegro 1'57
15 III. Largo 4'44
16 IV. Allegro 2'05
Sonata no 2 in F major / Fa majeur / F-Dur, RV 41
17 I. Largo 2'50
18 II. Allegro 2'45
19 III. Largo 3'35
20 IV. Allegro 2'47
Sonata no 6 in B flat major / Si bemol majeur / B-Dur, RV 46
21 I. Largo 2'08
22 II. Allegro 2'44
23 III. Largo 2'11
24 IV. Allegro 2'49
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