普羅高菲夫: 協奏交響曲/奏鳴曲
布魯諾.菲利浦 大提琴
威廉庫特 鋼琴
艾森巴哈 指揮
法蘭克福廣播交響樂團
藉著這張獻給普羅高菲夫的新專輯, 大提琴家布魯諾.飛利浦延續他對俄羅斯音樂的探索. 在和傑隆.杜可羅斯 (Jerome Ducros)合作錄製過拉赫曼尼諾夫和米亞科夫斯基的大提琴奏鳴曲之後, 他和長期合作的夥伴鋼琴家威廉庫特再次團聚, 並且加上他的指導老師艾森巴哈與法蘭克福廣播交響樂團. 在這次的節目中, 普羅高菲夫的浪漫大提琴奏鳴曲搭配協奏交響曲是有如攀登聖母峰一般的技術挑戰, 兩件作品都是獻給偉大的羅斯托波維奇, 並且由他分別在1950年和1952年做首次表演.
With this new album devoted to Prokofiev, cellist Bruno Philippe continues his exploration of Russian music. Having already recorded a recital of Rachmaninov’s and Myaskovsky’s Sonatas with Jérôme Ducros, here he is reunited with his long-time musical partner Tanguy de Williencourt on the piano, but also with his mentor, conductor Christoph Eschenbach leading the hr-Sinfonieorchester Frankfurt. On the program, Prokofiev’s (surprisingly?) romantic cello sonata, coupled with his Sinfonia concertante, that Mount Everest of technical challenges – both works having been written for the great Rostropovitch, who gave them their first performances in 1950 and 1952.
SERGEI PROKOFIEV (1891-1953
Symphony-Concerto, op. 125
E minor / mi mineur / e-Moll
1 | I. Andante 11'41
2 | II. Allegro giusto 18'27
3 | III. Andante con moto - Allegretto (poco meno mosso) 10'52
Sonata for cello and piano, op. 119
C Major / Ut majeur / C-Dur
4 | I. Andante grave - Moderato animato 11'49
5 | II. Moderato - Andante dolce 4'52
6 | III. Allegro, ma non troppo - Meno mosso 8'08
Bruno Philippe, cello Carlo Tononi loaned by the Beare's International Violin Society
Tanguy de Williencourt, piano (4-6)
Hessischer Rundfunk Sinfonieorchester,
Christoph Eschenbach (1-3) |
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