克里斯提昂.貝薩伊登豪 鋼琴
帕布羅.艾拉斯-卡薩多 指揮
佛萊堡巴洛克管弦樂團
Mendelssohn's first symphonic work scored for full orchestra, the Symphony op. 11 in C minor paved the way for even greater examples of the genre he was soon to produce. The concert overture Die schone Melusine and the sparkling Piano Concerto No. 2 rely on the type of orchestration and harmonic language which are best served when played on period instruments, as heard here. Devoid of the atmosphere of Romantic doom and gloom, nearly every page of both scores is marked by an exuberant cheerfulness, youthful drive, and irrepressible energy.
FELIX MENDELSSOHN-BARTHOLDY (1809-1847)
Symphony no. 1 op. 11
C Minor / ut mineur / c-Moll"
1 I. Allegro di molto 9'45
2 II. Andante 6'35
3 III. Menuetto. Allegro molto - Trio 6'08
4 IV. Allegro con fuoco - Più stretto 7'38
Piano Concerto no. 2 op. 40
D Minor / re mineur / d-Moll"
5 I. Allegro appassionato 9'45
6 II. Adagio. Molto sostenuto 5'56
7 III. Finale. Presto scherzando 7'12
8"Ouverture zum Märchen von der schonen Melusine op. 32 (1835 version)
The Fair Melusine, overture / La Belle Melusine, ouverture
F Major / Fa Majeur / F-Dur
Allegro con moto" 9'56
Kristian Bezuidenhout, fortepiano Erard, Paris 1837, Edwin Beunk Collection
Freiburger Barockorchester, Pablo Heras-Casado
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