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(2CD)貝多芬: 第七號交響曲 / 普羅米修斯
戈爾茲 指揮
佛萊堡巴洛克管弦樂團
自從首度公演後長期受到大眾歡迎的貝多芬第七號交響曲被理查.華格納稱為是一件真正的'出神入化的舞蹈' - 但是他唯一的一齣芭蕾舞(普羅米修斯的創造)只剩下序曲還算是我們所熟悉的. 為了提出貝多芬作品集中一件關鍵作品的一個新版本, 並讓他最不公平的被遺忘的大師級作品完整版本復原, 這是在樂團首席戈爾茲率領下的佛萊堡巴洛克管絃樂團的音樂家們接受的挑戰.
A true 'apotheosis of the dance' in the words of Richard Wagner, Beethoven's Seventh has enjoyed perennial popularity ever since its premiere - unlike his sole ballet, The Creatures of Prometheus, of which only the overture has remained (more or less) familiar to us. To offer a new version of a key work in Beethoven's corpus while reviving the complete version of one of his most unjustly forgotten masterpieces: such is the challenge brilliantly taken up by the musicians of the Freiburger Barockorchester, under the direction of their Konzertmeister Gottfried von der Goltz.
LUDWIG VAN BEETHOVEN (1770-1827)
Symphony no. 7 op. 92
A major / La majeur / A-Dur
1. I. Poco sostenuto - Vivace 14'02
2. II. Allegretto 8'17
3. III. Presto - Assai meno presto 9'26
4. IV. Allegro con brio 9'01
The Creatures of Prometheus op. 43
Les Creatures de Promethee / Die Geschopfe des Prometheus
1. Overture. Adagio - Allegro molto e con brio 4'34
2. Introduction "La Tempesta". Allegro non troppo 2'01
3. 1. Poco adagio - Allegro con brio 2'58
4. 2. Adagio - Allegro con brio 1'37
5. 3. Allegro vivace 2'00
6. 4. Maestoso - Andante 1'20
7. 5. Adagio - Andante quasi allegretto 6'58
8. 6. Un poco adagio - Allegretto 1'19
9. 7. Grave 3'50
10. 8. Marcia. Allegro con brio - Presto 6'38
11. 9. Adagio - Allegro molto 3'32
12. 10. Pastorale. Allegro 2'38
13. 11. Coro di Gioja. Andante 0'20
14. 12. Solo di Gioja. Maestoso - Adagio - Allegro 2'52
15. 13. Terzettino - Grotteschi. Allegro - Comodo 4'04
16. 14. Solo della Signora Cassentini. Andante - Adagio - Allegro - Allegretto 5'17
17. 15. Coro e Solo di Viganò. Andantino - Adagio - Allegro 4'10
18. 16. Finale. Allegretto - Allegro molto - Presto 6'11
Freiburger Barockorchester
Gottfried von der Goltz, concert master / conducting |
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