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The world of the "liederabend", the song recital, also seems ago to have been a more common aspect of our musical life just a few years ago, even if we don't pay too much attention to the occasional lament today about the decline in the art of singing (a lament no doubt as old as singing itself). But from today's perspective it is indisputably impressive how Hermann Prey, the successful opera singer, here offers a Schubert song recital grouped around the Schwanengesang, and all done with unimpeachable taste, mastery and seriousness, and interpreted in full possession of his enviable vocal powers. |
F. Schubert: Der Sänger D 149 F. Schubert: Wer sich der Einsamkeit ergibt F. Schubert: Wer nie sein Brot mit Tränen aß F. Schubert: An die Türen will ich schleichen F. Schubert: Der Atlas D 957 No. 8 (from: Schwanengesang D 957) F. Schubert: Ihr Bild D 957 No. 9 (from: Schwanengesang D 957) F. Schubert: Das Fischermädchen D 957 No. 10 (from: Schwanengesang D 957) F. Schubert: Die Stadt D 957 No. 11 (from: Schwanengesang D 957) F. Schubert: Am Meer D 957 No. 12 (from: Schwanengesang D 957) F. Schubert: Der Doppelgänger D 957 No. 13 (from: Schwanengesang D 957) F. Schubert: Die Taubenpost D 965a (from: Schwanengesang D 957) F. Schubert: Liebesbotschaft D 957 No. 1 (from: Schwanengesang D 957) F. Schubert: Kriegers Ahnung D 957 No. 2 (from: Schwanengesang D 957) F. Schubert: Frühlingssehnsucht D 957 No. 3 (from: Schwanengesang D 957) F. Schubert/F. Liszt: Ständchen D 957 No. 4 (Leise flehen meine Lieder - from: Schwanengesang D 957) F. Schubert: Aufenthalt D 957 No. 5 (from: Schwanengesang D 957) F. Schubert: In der Ferne D 957 No. 6 (from: Schwanengesang D 957) F. Schubert: Abschied D 957 No. 7 (from: Schwanengesang D 957) F. Schubert: Der Musensohn op. 92 No. 1 D 764 F. Schubert: Im Abendrot D 799 F. Schubert: Gesang op. 106 No. 4 D 891 (An Silvia) |
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