作為洛可可時代曼罕樂派最後的代表人物,丹濟繼承了史塔密茲、約翰克里斯欽.巴哈的音樂風格,並且有號稱當時全歐陣容最堅強的宮廷樂隊為恃,讓他們得以寫 出最具挑戰性和表達能力的樂曲。他的四首長笛協奏曲在特質上都繼承了德國和意大利歌劇序曲的基本型式,也兼並兩家之長,有許多地方都可以看到莫札特的影 響,然而,由於丹濟特別偏重引用意大利式協奏曲的風格,乃使得這些作品都與莫札特的長笛協奏曲迴異其趣。本片請到長笛家阿朵楊灌錄,憑他多年來演奏這套作 品的經驗,成功的詮釋了這些古典樂派後期的協奏曲。
1. Concerto No. 1 in G major for flute & orchestra, Op. 30: Allegro
2. Concerto No. 1 in G major for flute & orchestra, Op. 30: Larghetto
3. Concerto No. 1 in G major for flute & orchestra, Op. 30: Allegro moderato
4. Concerto No. 2 in D minor for flute & orchestra, Op. 31: Allegro
5. Concerto No. 2 in D minor for flute & orchestra, Op. 31: Larghetto non troppo
6. Concerto No. 2 in D minor for flute & orchestra, Op. 31: Polacca
7. Concerto No. 3 in D minor for flute & orchestra, Op. 42: Allegro
8. Concerto No. 3 in D minor for flute & orchestra, Op. 42: Andante
9. Concerto No. 3 in D minor for flute & orchestra, Op. 42: Allegretto
10. Concerto No. 4 in D major for flute & orchestra, Op. 43: Larghetto-allegro
11. Concerto No. 4 in D major for flute & orchestra, Op. 43: Larghetto
12. Concerto No. 4 in D major for flute & orchestra, Op. 43: Allegretto
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