|
(2CD) 阿洛伊斯.哈巴: 鋼琴作品全集
米洛斯拉夫.班豪爾 鋼琴
Miroslav Beinhauer piano
Haba has gone down in the history of 20th-century music as an experimenter. He studied in Vienna and Berlin under Franz Schreker, studied the tonal principles of non-European music, and developed his own theory of micro-intervallic music. However, his enthusiasm for microtonal music narrowed the perception of his creative legacy solely to its experimental component, although more than half of his works are compositions in the usual system of semitones. As he himself said, he was trying "to find the path from non-traditional training to artistically independent creative work with strongly altered harmony and melody in order to arrive at a personal means of expression following the line leading from Bach to Schumann and on to Reger." He achieved this goal in the Sonata, Op. 3, for which he received much praise from Schreker, while Vitezslav Novak "with condescending humour called it a ‘sonata for three hands'". Erwin Schulhoff premiered the Two Grotesque Pieces in 1922 in Berlin alongside compositions by Satie, Casella, and Stravinsky, and according to a critic, "Haba's compositions made a far more authentic impression than much that surrounded them." After the Toccata quasi una fantasia (1931), Haba returned to writing piano music one last time 40 years later at the end of his life with his Six Moods. As a student in Vienna and Ghent, the pianist Miroslav Beinhauer focused on music of the 20th and 21st centuries. He was introduced to Haba through his compositions for sixth-tone harmonium (Beinhauer is the only player of this instrument, created by Haba), and he went on to study Haba's complete works for "ordinary" piano as well. These works are little known and worthy of attention.
The first complete recording of Haba's works for "ordinary" piano. Haba surprisingly without micro-intervals.
CD 1
Alois Haba
Sonata for Piano in E flat minor
1.I. Andante con duolo 05:16
2.II. Scherzo 03:29
3.III. Tempo di menuetto 04:07
4.IV. Rondo 02:00
Alois Haba
Three Fugues for Piano
5.I. Allegretto 02:23
6.II. Andante 02:35
7.III. Allegro scherzando 01:17
Alois Haba
8.Variations on a Canon of Robert Schumann, Op. 1b 15:48
Alois Haba
Two Pieces for Piano, Op. 2
9.I. Scherzo. Allegro, ma non troppo 05:20
10.II. Intermezzo. Andante cantabile 06:37
Alois Haba
Sonata for Piano, Op. 3
11.I. Allegro moderato 10:23
12.II. Andante cantabile 08:08
13.III. Allegro non troppo 07:54
CD 2
Alois Haba
Six Pieces for Piano, Op. 6
1.I. Allegro agitato 01:36
2.II. Andante cantabile con molta espressione 03:09
3.III. Allegretto leggiero 01:59
4.IV. Tempo di marcia 01:51
5.V. Lento. Dolce con molta espressione 03:36
6.VI. Allegro risoluto 01:52
Alois Haba
Two Grotesques for Piano
7.I. Intermezzo. Tempo comodo 01:49
8.II. Tempo di Polka 01:28
Alois Haba
Romance, Waltz
9.Romance. Moderato cantabile 02:42
10.Waltz. Tempo di valse 02:40
Alois Haba
Four Modern Dances for Piano, Op. 39
11.I. Shimmy-Blues. Moderato 02:41
12.II. Blues. Moderatro 04:58
13.III. Boston. Valse moderato 03:54
14.IV. Tango. Moderato 02:16
Alois Haba
15.Shimmy-Fox 03:28
Alois Haba
16.Toccata quasi una fantasia for Piano, Op. 38 09:32
Alois Haba
Six Moods for Piano, Op. 102
17.I. Allegro energico 01:01
18.II. Andante cantabile 01:51
19.III. Allegro molto pesante 00:45
20.IV. Allegretto scherzando 00:41
21.V. Moderato cantabile 01:58
22.VI. Allegro risoluto 00:58 |
|
