拉威爾: 鋼琴協奏曲 / 維根斯坦為左手改編巴哈作品集
孫烈音 鋼琴
安雅.比爾麥爾 指揮
荷蘭海牙愛樂管弦樂團
鋼琴家孫烈音精湛的捕捉住拉威爾兩首鋼琴協奏曲的模棱兩可的特質, 幾乎將其融合為一體. 在她的手指下, 兩首都顯露出相同謹慎地朦朧模糊感覺. 荷蘭海牙愛樂管弦樂團的音樂家們在音樂總監安雅.比爾麥爾的率領下, 為這位出生於1986年的鋼琴家提供抒情的樂句和美妙夜色般的氛圍.
對這位韓國鋼琴家而言, 拉威爾鋼琴協奏曲喚起第一次世界大戰的恐怖, 正如同曾經發生在她祖國歷史中的某一時刻, 那些在二十世紀初震撼歐洲大陸的戰爭與她祖國的第一次獨立建國運動互相呼應.
以後奏曲(postlude)的形式呈現在這張中的巴哈四首作品由保羅.維根斯坦(Paul Wittgenstein)改編成給左手獨奏, 它們不僅是脫離了前曲情境, 而是真正的補償修復時刻.
Yeol Eum Son masterfully captures the ambivalent character of the two Ravel's Piano Concertos, almost merging them into one. Under her fingers, an equal, discreet obscurity is revealed as much in one as in the other. Led by their musical director Anja Bihlmaier, the musicians of the Residentie Orkest The Hague offer the pianist (born in 1986) lyrical phrasing and beautiful nocturnal atmospheres.
For the Korean pianist, Ravel's Concertos evokes the horrors of the Great War as much as a moment in her country's history, the wars that shook the European continent at the beginning of the 20th century echoing her nation's first independence movements.
In the form of a postlude, the four pieces by Johann Sebastian Bach presented here in arrangements for the left hand alone by Paul Wittgenstein, form more than an escape. They constitute, after the horrors of the destruction, the real moment of reparation.
maurice ravel 1875–1937
piano concerto in G major, M. 83 1929–1931
1 I. Allegramente 8'55
2 II. Adagio assai 9'17
3 III. Presto 4'12
dedicated to Marguerite Long
4 piano concerto for the left hand in D major, M. 82 1929–1930
Lento – Allegro – Tempo primo – Allegro 19'58
dedicated to Paul Wittgenstein (1887–1961)
johann sebastian bach 1685–1750
The following pieces are performed in the versions for piano left hand proposed by Paul Wittgenstein
in the third part (Volume III · Nos. 1-4) of his School for the Left Hand published in 1957.
prelude and fugue in C major, BWV 846
from das wohltemperierte klavier I 1722
5 Prelude 2'17
6 prelude in C minor, BWV 999 ca. 1725 1'21
partita no. 1 in B-fl at major, BWV 825 1726
7 VII. Gigue 3'05
sonata for fl ute and harpsichord in E-fl at major, BWV 1031 1730–1734?
8 II. Siciliano 2'56 |
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