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This Viennese trilogy was neglected in the Romantic era then reduced to pianoforte chamber music under the Baroque revival. Often only KV 415 is played by C. Haskil, R. Serkin, A-B Michelangeli, M. Perahia, A. Schiff and M-J Pirès. Mozart produced scores with variable accompaniment back in 1781 to satisfy the Austrian Emperor’s court and private salons. The Prazák quartet plays here with a remarkable Czech pianist reminiscent of Ivan Moravec, proving its contemporary relevance.
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