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貝多芬: 小提琴奏鳴曲第二集 彼得.齊瑪曼 小提琴 赫爾姆欽 鋼琴 Zimmermann / Helmchen / Beethoven - Violin Sonatas, Vol. 2



貝多芬: 小提琴奏鳴曲第二集 彼得.齊瑪曼 小提琴 赫爾姆欽 鋼琴	Zimmermann / Helmchen / Beethoven - Violin Sonatas, Vol. 2
貝多芬: 小提琴奏鳴曲第二集 彼得.齊瑪曼 小提琴 赫爾姆欽 鋼琴	Zimmermann / Helmchen / Beethoven - Violin Sonatas, Vol. 2
專輯編號: BISSACD2527
專輯類型: SACD
發行年份: 2021
國際條碼: 7318599925271
音樂家:
音樂廠牌: BIS
庫存狀態: 有庫存
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貝多芬: 小提琴奏鳴曲(第1,2,5號),第二集
彼得.齊瑪曼 小提琴
赫爾姆欽 鋼琴

在2020年發行了一系列三張的貝多芬奏鳴曲第一集, 獲得法國權威古典音樂雜誌Classica驚豔古典(Choc de Classica)和荷蘭Luister音樂雜誌優等(Cum Laude)特殊評價, 並獲得佳評如 -  留聲機雜誌: "將古典神韻與深厚的浪漫氣息融為一體", BBC音樂雜誌: "透過完美樂器配對錄製的音樂對話". 小提琴家彼得.齊瑪曼與鋼琴家赫爾姆欽又在2021年發行了第二集, 這次有非常出名的, 完成於1801年的奏鳴曲(春),作品24, 此作品第一版發行後, 立即受歡迎的程度到僅僅幾個月就又發行印刷第二版. 這張還有許多為了各種強度所做的改編 – 包括一首根據此奏鳴曲的慢板樂章音樂動機(motif)而寫的歌曲.
 
貝多芬在完成了作品24之後, 開始著手寫一組三首奏鳴曲的工作, 其中兩首包含在這張專輯中. 從音樂上來說, 作品30延續了以奏鳴曲(春)開始往一種豐富的對比, 交響曲風格的發展. 貝多芬原本計畫讓三首中較短的第一首用開朗的樂章作結束(這部份之後變成偉大的奏鳴曲(克羅采)的結尾), 但這樣做會將作品的比例破壞, 因此他最後換成用一組變奏曲結尾. 在此專輯最後的是作品30的第二首C小調, 是這一組內最重要的部份; 一首真正四個樂章的大奏鳴曲(Grande Sonate), 而且是一個早期貝多芬'英雄'式風格的範例.


Frank Peter Zimmermann, violin
Martin Helmchen, piano

2020 saw the release of the first instalment in this three-disc traversal of Beethoven's violin sonatas –a disc which has garnered distinctions such as Choc de Classica and Cum Laude(Luister), with performances that 'wed classical verve to a profoundly Romantic spirit' (Gramophone) in 'recordings that are conversations by a perfect instrumental pairing' (BBC Music Magazine). As Frank Peter Zimmermannand Martin Helmchen open the second disc, they do so with the iconic Spring Sonata, Op. 24. Completed in 1801, the work proved immediately popular with a second edition appearing only months after the first publication. There were also numerous arrangements for a variety of forces –including a song based on motifs from the sonata's slow movement.
Soon after completing Op. 24, Beethoven began work on a set of three sonatas of which the first two are included on this disc. Musically the Op. 30 sonatas continue the development that had begun with the Spring Sonata towards a contrast-rich, symphonic style. Beethoven originally planned to end the first and shortest of the three with the expansive movement that later became the finale of the great Kreutzer Sonata. As this would clearly have ruined the proportions of the work, he eventually replaced it with a set of variations. Closing this disc is the second sonata of Op. 30, in C minor. It is the most important of the set; a genuine Grande Sonatein four movements, and an early example of Beethoven's 'heroic' style.


Ludwig van Beethoven (1770—1827)
1—4 ) Violin Sonata No. 5 in F major, Op. 24 22'16
'Spring Sonata'
5—7 ) Violin Sonata No. 6 in A major, Op. 30 No. 1 21'52
8—11 ) Violin Sonata No. 7 in C minor, Op. 30 No. 2 23'31
TT: 68'32

 

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