(3CD)莫札特: 鋼琴協奏曲 6, 9, 11, 12, 13, 18 ,25號 貝薩伊登豪特 古鋼琴/指揮 佛萊堡巴洛克管弦樂團 Bezuidenhout / Mozart: Piano concertos Nos 6, 9, 12, 13, 18, 25

(3CD)莫札特: 鋼琴協奏曲 6, 9, 11, 12, 13, 18 ,25號
貝薩伊登豪特 古鋼琴
戈爾茲 首席小提琴
佛萊堡巴洛克管弦樂團

HMM902333
From the youthful Concerto no.6 (1776) to the almost testamentary Concerto no.25 (1786), Mozart's style underwent considerable evolution. In ten years, the young prodigy gave way to a master fully aware that he was opening up new horizons for the genre. With this fourth album in their series, Kristian Bezuidenhout and the Freiburger Barockorchester continue their exploration of a corpus visited so many times before; but with them, we have the impression we are rediscovering each note as if it were ‘the first time'.

HMM902332
The origins of these concertos, performed here by Kristian Bezuidenhout, may each be traced to a woman. The so-called "Jeunehomme" Concerto, K. 271, a vehicle for rather unexpected musical daring, could instead take its nickname from the work's dedicatee: the piano virtuoso Louise Victoire Jenamy, daughter of Mozart's old friend, the dancer Noverre. As for K. 456, cast in a more traditional mould yet so elaborate and seductive, it was apparently composed for Maria Theresia von Paradis, a blind pianist acclaimed throughout Europe. Two works distinctly different in character, while somehow being aptly complementary…


HMM902218