Graham Ross concludes his exploration of music for the liturgical calendar with a programme focusing on the Holy Trinity, as reflected in music of the Russian and British traditions. From the works of the New Russian Choral School led by Tchaikovsky to more modern pieces such as those of Britten, with excursions into the Renaissance and contemporary creation, Graham Ross skilfully brings out the multiple correspondences between the choral traditions that have become established over the centuries around the mystery of the Trinity.
Alexander Gretchaninov [1864-1956]
1.Heruvimskaya pesn (Cherubic Hymn), op. 29 4'54
Benjamin Britten [1913-1976]
2.Festival Te Deum, op. 32 5'49
Graham Ross
3.Duo Seraphim 4'33
Charles Villiers Stanford
4.Laudate Dominum, Psalm 150 2'12
Pavel Tchesnokov
5.Heruvimskaya pesn (Cherubic Hymn), op. 29 n° 5 5'44
John Stainer [1840-1901]
6.I saw the Lord 6'27
James MacMillan
7.Sanctus and Benedictus (from The Mass) 5'16
Piotr Ilyich Tchaikovsky [1840-1893]
8.Heruvimskaya pesn (Cherubic Hymn), in F major 4'57
John Sheppard [c.1515-1558]
9.Libera nos, salva nos I & II 5'41
William Byrd [1543-1623]
10.O lux beata Trinitas 5'05
Sergei Rachmaninov [1873-1943]
11.Heruvimskaya pesn (Cherubic Hymn), op. 31 n° 8 5'07
Pacey Joshua
12.Tres sunt 4'31
Mikhail Glinka [1804-1857]
13.Heruvimskaya pesn (Cherubic Hymn), op. 31 n° 11 4'41
Jackson Gabriel
1.4Hymn to the Trinity (Honor, Virtus, et Potestas) 6'08
Charles Wood [1866-1926]
15.Hail, gladdening light 3'13
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