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Of all the famous and fruitful musical friendships, that between Brahms and Dvorák was one of the most felicitous. Right from their first meeting in 1878, Dvorák allowed himself to be won over by the rigorous model promoted by Brahms; his style gained in clarity, and his output over the next few years was in thrall to the musical heritage of the older composer. The Violin Concerto and the Third Piano Trio certainly belong to this period 'under the influence' - but how successfully that influence is integrated! |
Antonin Dvorák Concerto pour violon et orchestre op.53 en la mineur / A minor / a-moll 1 Allegro ma non troppo 11'10 2 Adagio ma non troppo 10'06 3 Allegro giocoso ma non troppo 10'14 4 Allegro ma non troppo 12'41 Trio pour piano, violon et violoncelle op.65 en fa mineur / F minor / f-moll 5 Allegro grazioso 6'43 6 Poco adagio 9'40 7 Allegro con brio 8'59 |
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