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巴哈: 義大利協奏曲 / 三聲部創意曲 / 法國組曲等
康士坦丁．列夫席茲 / 庫興內諾娃 / 馬米可尼安 / 卡爾.西曼 鋼琴
Konstantin Lifschitz
Elena Kuschnerova
Vardan Mamikonian
Carl Seemann
Today, there is no doubt that Johann Sebastian Bach took Baroque music to its sublime zenith. That was not always clear to his contemporaries. They regarded Bach's demanding fugues as approaching theoretical music: highly elaborate, but on the border of unplayability.
Just how much Bach was ahead of his time can be gauged by the fact his ‘piano' music (in the Baroque period, all keyboard instruments were termed ‘clavier') engaged the greatest among his successors: Mozart, Beethoven, Schumann, Chopin, Debussy and Shostakovich. All of them (and many others) dealt with Bach's music in some of their most significant compositions, the preludes and fugues from the Well-Tempered Clavier here forming the pivotal point. Up to today, Bach's music for keyboard instruments has proven to be an inexhaustible source of musical abundance, but it is still open to the most differing interpretational approaches.
Four pianists perform Bach on this album. They stand for different periods in interpretational history, beginning with the ‘New Objectivity' of Carl Seeman, born in 1910, up to the highly virtuoso art of Konstantin Lifschitz, born in 1976 and also taught by Alfred Brendel. The four personalities of the pianists on this album merge with Bach's music, giving a notion of why it is accorded universal magnitude.
CD1
Konzert F-Dur BWV 971 "Italienisches Konzert"
Concerto in F major BWV 971 "Italian Concerto"
1 I. Allegro [3:59]
2 II. Andante [5:11]
3 III. Presto [3:20]
ELENA KUSCHNEROVA, Klavier / piano
(Eine Aufnahme des SWR Baden-Baden)
Dreistimmige Inventionen (Sinfonien) BWV 787-801
Three-Part Inventions (Sinfonias) BWV 787-801
4 Sinfonia Nr. 1 C-Dur / No. 1 in C major BWV 787 [1:06]
5 Sinfonia Nr. 2 c-Moll / No. 2 in C minor BWV 788 [2:15]
6 Sinfonia Nr. 3 D-Dur / No. 3 in D major BWV 789 [1:13]
7 Sinfonia Nr. 4 d-Moll / No. 4 in D minor BWV 790 [2:19]
8 Sinfonia Nr. 5 Es-Dur / No. 5 in E flat major BWV 791 [2:15]
9 Sinfonia Nr. 6 E-Dur / No. 6 in E major BWV 792 [1:04]
10 Sinfonia Nr. 7 e-Moll / No. 7 in E minor BWV 793 [2:23]
11 Sinfonia Nr. 8 F-Dur / No. 8 in F major BWV 794 [1:12]
12 Sinfonia Nr. 9 f-Moll / No. 9 in F minor BWV 795 [3:40]
13 Sinfonia Nr. 10 G-Dur / No. 10 in G major BWV 796 [0:56]
14 Sinfonia Nr. 11 g-Moll / No. 11 in G minor BWV 797 [1:54]
15 Sinfonia Nr. 12 A-Dur / No. 12 in A major BWV 798 [1:24]
16 Sinfonia Nr. 13 a-Moll / No. 13 in A minor BWV 799 [2:09]
17 Sinfonia Nr. 14 B-Dur / No. 14 in B flat major BWV 800 [1:11]
18 Sinfonia Nr. 15 b-Moll / No. 15 in B flat minor BWV 801 [1:48]
VARDAN MAMIKONIAN, Klavier / piano
Partita Nr. 1 B-Dur BWV 825
Partita No. 1 in B flat major BWV 825
19 I. Prelude [1:41]
20 II. Allemande [3:08]
21 III. Courante [2:42]
22 V. Sarabande [4:15]
23 VI. Menuet I-II [1:17]
24 VII. Gigue [2:09]
CARL SEEMANN, Klavier / piano
(Historical Recording, Radio Bremen, 1965)
Praeludium und Fuge Es-Dur BWV 552
Prelude and Fugue in E flat major BWV 552
25 I. Prelude [8:13]
26 II. Fugue [6:21]
KONSTANTIN LIFSCHITZ, Klavier / piano
CD2
1 Toccata e-Moll / in E minor BWV 914 [6:47]
ELENA KUSCHNEROVA, Klavier / piano
Franzosische Suite Nr. 2 c-Moll, BWV 813
French Suite No. 2 in C minor, BWV 813
2 I. Allemande [2:58]
3 II. Courante [1:37]
4 III. Sarabande [3:31]
5 IV. Air [1:28]
6 V. Menuet [1:24]
7 VI. Gigue [1:58]
ELENA KUSCHNEROVA, Klavier / piano
(Eine Aufnahme des SWR Baden-Baden)
Partita No. 4 D-Dur BWV 828
Partita No. 4 in D major BWV 828
8 I. Ouverture [5:24]
9 II. Allemande [7:10]
10 III. Courante [2:54]
11 IV. Aria [3:05]
12 V. Sarabande [3:54]
13 VI. Menuet [1:25]
14 VII. Gigue [3:29]
CARL SEEMANN, Klavier / piano
(Historical Recording, Radio Bremen, 1965)
Partita fur Violine Solo No. 2 BWV 1004
Partita for Solo Violin No. 2 BWV 1004
15 Chaconne (arranged for piano by Ferruccio Busoni) [14:10]
VARDAN MAMIKONIAN, Klavier / piano |
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