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Having explored much of twentieth-century British works for cello and piano, the Watkins brothers now turn their attention to the American contribution to this repertoire. The music spans a fascinating period of some four decades of intensive compositional activity in the United-States. The earliest piece in the collection, Barber’s Cello Sonata (1932), was for many years considered as the only modern work in the genre. It is imbued with an intensely romantic spirit utterly different from the folk-tinged nationalism of contemporaneous music by Copland, represented here by arrangements of two numbers from his popular cowboy ballet Billy the Kid. Carter’s highly original and technically demanding Cello Sonata and Crumb’s idiosyncratic Sonata for Solo Cello are worlds apart from the traditional vein of Barber piece. The works marked watershed moments in the stylistic development of two of the most imaginative and distinctive creative voices of their time. Lastly, the ‘Meditations’ offer a contrast between searing melancholy and moments of jazzy dynamism, typical of Bernstein’s stylistic eclecticism. |
Samuel Barber (1910-1981) Sonata, Op. 6 (1932) 17:01 in C minor - in c-Moll - en si mineur for Cello and Piano To my teacher, Rosario Scalero 1 I Allegro ma non troppo - [ ] - Tempo I 7:22 2 II Adagio - Presto - Di nuovo Adagio 3:59 3 III Allegro appassionato - Meno mosso - Tempo I - 5:41 Leonard Bernstein (1918-1990) Three Meditations (1972, 1978) 13:56 from Mass (1971) Arranged for Cello and Piano by the Composer For Mstislav Rostropovich 4 1 Lento assai, molto sostenuto - Tranquillo - Mosso - 3:52 5 2 Andante sostenuto - 3:10 Variation I. (Sempre sostenuto) - Meno sostenuto - Variation II. Con moto - Variation III. L'istesso tempo - Variation IV. Più lento, trattenuto - Coda. A tempo - Subito più mosso (Presto) 6 3 Presto - Prestissimo e staccato (senza misura) - 6:52 Elliott Carter (1908-2012) Sonata (1948) 20:53 for Cello and Piano To Bernard Greenhouse 7 I Moderato 4:59 8 II Vivace, molto leggiero 4:51 9 III Adagio 5:09 10 IV Allegro - Tempo of first movement 5:55 George Crumb (b. 1929) Sonata (1955) 10:49 for Solo Cello To my mother 11 I Fantasia. Andante espressivo e con molto rubato 3:25 12 II Tema pastorale con variazioni 4:52 Tema. Grazioso e delicato - Variazione I. Un poco più animato - Variazione II. Allegro possibile e sempre pizzicato - Variazione III. Poco adagio e molto espressivo - Coda. Tempo I 13 III Toccata. Largo e drammatico - Allegro vivace 2:30 Aaron Copland (1900-1990) Waltz and Celebration (1938) 6:10 from Billy the Kid Arranged 1952 for Cello and Piano by the Composer Dedicated to Gregor Piatigorsky 14 Waltz. Molto moderato - Con moto - Più mosso - Tempo I - 3:44 15 Celebration. Allegro 2:24 |
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