普羅高菲夫：小提琴與鋼琴作品集 (法蘭齊絲卡．皮琪, 小提琴 / 戴特列夫．艾辛格, 鋼琴)　Prokofiev：Works for Violin & Piano (Franziska Pietsch, violin / Detlev Eisinger, piano))

專輯編號： AUD97722

專輯類型：單CD

發行年份： 2016

國際條碼： 4022143977229

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庫存狀態：有庫存

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"The performers give off sparks playing
these works […]. These pieces need
to be played exactly in this energetic,
dramatic, rhythmically accentuated
and pronounced manner for then they
reveal their beauty, at once austere
and lyrical, most intensely."
(Südwest Presse)

Following the successful release of the Grieg Violin Sonatas,
Franziska Pietsch and her piano partner Detlev Eisinger
now present music by Sergei Prokofiev on the audite label.
His works reflect facets of her own biography to a significant
degree. As an emerging talent in the GDR, Franziska Pietsch
enjoyed special state support; her musical training was thus initially
shaped by the Eastern European school, bringing Prokofiev's
music close to her heart. His two Violin Sonatas appear as two
contrasting poles within his oeuvre – her life has also moved
between extremes. The state support led to early success in the
GDR. However, her father's escape to the West in 1984 was followed by two years of reprisals by the regime,
intensively shaping Franziska Pietsch's understanding of music: deprived of any possibility of playing concerts or
taking lessons, her chosen path towards hope – against desperation, refusal, fear and despotism – led inwards.
Music became the only language in which she was able to express herself freely and which gave her the necessary
strength to withstand external circumstances, continuing to hope for freedom. These were the origins of
the intensity and artistic depth which characterise Franziska Pietsch's playing to the present day.

The two Violin Sonatas, written largely between 1938 and 1946 after Prokofiev's return to the Soviet Union,
could not be more contrary: No. 1 in F minor, Prokofiev's "Appassionata", is a tragic piece, whilst No. 2 in
D major, originally conceived for flute and piano, is predominantly joyful and serene. Prokofiev arranged it himself,
with David Oistrakh advising him. The reworked version of the Cinq mélodies, composed in 1919/20 for
voice (without text) and piano accompaniment, was also produced by Prokofiev himself. These chamber works
expose three intrinsic aspects of his artistry: his ability to create a seamless, emotionally intense melodic line;
his often concealed tragic side; and his classicist inclination.

1. I. Andante Assai
2. II. Allegro Brusco
3. III. Andante
4. IV. Allegrissimo
5. I. Moderato
6. II. Scherzo: Presto
7. III. Andante
8. IV. Allegro Con Brio
9. I. Andante
10. II. Lento, Ma Non Troppo - Poco Più Mosso - Tempo I
11. III. Animato, Ma Non Allegro - Poco Più Tranquillo - Meno Mosso
12. IV. Allegretto Leggero E Scherzando
13. V. Andante Non Troppo - Pochissimo Più Animato

編號	曲目	長度	作詞	作曲	演奏	樂團	演唱	指揮	試聽

普羅高菲夫：小提琴與鋼琴作品集 (法蘭齊絲卡．皮琪, 小提琴 / 戴特列夫．艾辛格, 鋼琴) Prokofiev：Works for Violin & Piano (Franziska Pietsch, violin / Detlev Eisinger, piano))

普羅高菲夫：小提琴與鋼琴作品集 (法蘭齊絲卡．皮琪, 小提琴 / 戴特列夫．艾辛格, 鋼琴)　Prokofiev：Works for Violin & Piano (Franziska Pietsch, violin / Detlev Eisinger, piano))