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Following on their successful release of Mendelssohn's complete string quartets, the Mandelring Quartet is
now turning to Brahms in a recording of all the composer's string quintets and sextets. With its new roster
(featuring Andreas Willwohl, viola), the ensemble joins with Roland Glassl, the quartet's long-time violist, in a
recording of the two string quintets for audite.
Brahms's string quintets resemble self portraits. In them he presents, in concentrated form, the contrasts that
characterize his musical thinking: drawing from musical history and his own creative output, he achieved a
vision of something that is both new and eternally valid. He made use of the larger instrumentation to suggest
expansiveness, at the same time casting the work in a terse and concise expressive form.
The musicians' rich and varied experience, gained from many concerts and recordings of repertoire ranging up
to the present day, greatly enriches this production. Brahms's quintets, masterworks of his late style, demand
a precise and sensitive approach to their conjunction of contrasts: combining cheerfulness and melancholy,
expansive ideas and compressed form, reminiscences of the past (including his own early works) and the desire
to express a new and valid musical message – all this needs to be both perfectly balanced and clearly articulated.
The Mandelring Quartet with Roland Glassl has pulled off such a "knowing" interpretation, masterfully
balancing the works' inner tensions.
A release of Johannes Brahms's two string sextets is planned for spring 2017.
Johannes Brahms: String Quintet No. 1 in F Major, Op. 88
I. Allegro non troppo ma con brio
II. Grave ed appassionato - Allegretto vivace - Presto
III. Allegro energico - Presto
Johannes Brahms: String Quintet No. 2 in G Major, Op. 111
I. Allegro non troppo, ma con brio
II. Adagio
III. Un poco allegretto
IV. Vivace ma non troppo presto |
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