This new album from The Orlando Consort charts the radical development of music between the late thirteenth and mid fifteenth centuries—the transition from what is at essence embellished chant to the extraordinary mathematical intricacies of experimental polyphony.
1.Alleluia. Christo iubilemus [3'07] Anonymous - Medieval
2.Stella maris nuncuparis [1'42] Anonymous - Medieval
3.Spiritus et alme / Gaude virgo salutata [1'37] Anonymous - Medieval
4.Ave mundi rosa [4'24] Anonymous - Medieval
5.Kyrie Cuthberte prece [4'26] Anonymous - Medieval
6.Sub Arturo plebs / Fons citharizancium / [In omnem terram] [4'49] Johannes Alanus (fl late 14th century-early 15th century)
7.Salvatoris mater pia / O Georgi Deo care / [Benedictus Mariae Filius] [4'51]
8.En Katerine solennia / Virginalis concio / [Sponsus amat sponsam] [3'32] Byttering (fl c1410-1420)
9.Agnus Dei [2'06] [? Robert] Chirbury (? c1380-1454)
10.Gloria [3'25] Gervays (fl c1400-1400)
11.Credo [7'25] J Excetre (fl c1410-1410)
12.Credo [7'22] Leonel Power (d1445)
13.Gloria a 3 [4'22] Leonel Power (d1445)
14.Dies dignus / Demon dolens / Iste confessor [5'17] John Dunstaple (c1390-1453)
15.Gloria [3'43] John Dunstaple (c1390-1453)
16.Credo a 3 [6'30] Anonymous - Medieval
17.Credo a 4 [3'37] Anonymous - Medieval |
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