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The modern sequence of keys had yet to be invented when Vincenzo Galilei set out to traverse them all—well over a century before Bach's seminal 'Well-tempered Clavier'. The resulting demands on the sixteenth-century lutenist are ferocious, and Zak Ozmo here fully rises to the challenge in their first recording. |
1 Tone 1 Book 1 No 1: Passamezzo antico [5'05] 2 Tone 1 Book 1 No 2: Romanesca antica [2'26] 3 Tone 1 Book 1 No 3: Saltarello [2'50] 4 Tone 1 Book 2 No 1: Passamezzo moderno [2'17] 5 Tone 1 Book 2 No 2: Romanesca moderna [2'26] 6 Tone 2 Book 1 No 4: Passamezzo antico [4'48] 7 Tone 2 Book 1 No 5: Romanesca antica [2'43] 8 Tone 2 Book 1 No 6: Saltarello [2'24] 9 Tone 2 Book 2 No 3: Passamezzo moderno [3'55] 10 Tone 2 Book 2 No 4: Romanesca moderna [2'51] 11 Tone 3 Book 1 No 7: Passamezzo antico [4'11] 12 Tone 3 Book 1 No 8: Romanesca antica [2'11] 13 Tone 3 Book 1 No 9: Saltarello [2'42] 14 Tone 3 Book 2 No 5: Passamezzo moderno [3'48] 15 Tone 3 Book 2 No 6: Romanesca moderna [2'45] 16 Tone 4 Book 1 No 10: Passamezzo antico [4'55] 17 Tone 4 Book 1 No 11: Romanesca antica [2'31] 18 Tone 4 Book 1 No 12: Saltarello [1'37] 19 Tone 4 Book 2 No 7: Passamezzo moderno [4'04] 20 Tone 4 Book 2 No 8: Romanesca moderna [2'34] |
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