印象--豎琴及雙簧管音樂 卡提琳娜·恩格莉哈娃 豎琴 威倫.維沃卡 雙簧管 / Katerina Englichova, Vilem Veverka / Impressions

Song for obeo and harp: Maurice Ravel - Le tombeau de Couperin (arr. Otomar Kvech)*, Pieces en forme de Habanera, Pavane pour une infante defunte. Claude Debussy - R?verie, Arabesque No. 2, Prelude a Menuet (ze Suite bergamasque). Lubos Sluka (*1928) - Primavera*, Gabbione per due ussignuoli*

Katerina Englichova - harp, Vilem Veverka - oboe

On their previous Supraphon recordings (SU 4185 - Musica per arpa, SU 4188 - Vivaldi, Telemann, Bach, SU 4121 - Telemann, Britten ad.), harpist Katerina Englichova and oboist Vilem Veverka sufficiently proved their outstanding performance qualities as well as informed interest in such mutually remote music worlds as the Baroque and the 20th century modernism. The present recording - their first made in dues - reflects more than twelve years of their performing together in concerts. The not-so-common combination of oboe and harp provides an endless scale of timbres and the resulting impression is marked both by frailness and confident virtuosity. Ravel's Le Tombeau de Couperin is the crucial piece on the album and represents the composer's memories of his friends lost in the First World War. Little musical gems written by Ravel and Debussy resound here in sensitive arrangements which have enriched the compositions by new timbre qualities. Primavera composed by Lubos Sluka was composed explicitly for the Englichova - Veverka duo and appears here in premiere recording.

The musical world of Katerina Englichova and Vilem Veverka: entrancing timbre scales, frailness and virtuosity