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"The moment had come for me to record these works" Philippe Bianconi 'Papillons', 'Carnaval', 'Davidsbündlertanze': the coupling of these three compositions corresponds to a deep inner need in the French pianist. After magnificent incursions into Debussy and Chopin for La Dolce Volta, he returns to Schumann, a composer particularly close to his heart. This programme matured in concerts on the theme of doubles and masks and illuminates with exceptional poetic perception the secret connections that exist between three scores of highly individual character. A landmark in Bianconi's discography. |
1. No. 1 in D Major. Introduzione. Moderato 2. No. 2 in E-flat Major. Prestissimo 3. No. 3 in F-sharp Minor 4. No. 4 in F-sharp Minor. Presto 5. No. 5 in B-flat Major 6. No. 6 in D Minor 7. No. 7 in F Minor. Semplice 8. No. 8 in C-sharp Minor 9. No. 9 in B-flat Minor. Prestissimo 10. No. 10 in C Major. Vivo 11. No. 11 in D Major 12. No. 12 in D Major. Finale 13. Preambule 14. Pierrot 15. Arlequin 16. Valse Noble 17. Eusebius 18. Florestan 19. Coquette 20. Replique 21. Papillons 22. A.S.C.H. - S.C.H.A. (Lettres Dansantes) 23. Chiarina 24. Chopin 25. Estrella 26. Reconnaissance 27. Pantalon Et Colombine 28. Valse Allemande 29. Paganini 30. Aveu 31. Promenade 32. Pause 33. Marche Des Davidsbündler Contre Les Philistins 34. I. Lebhaft 35. II. Innig 36. III. Mit Humor 37. IV. Ungeduldig 38. V. Einfach 39. VI. Sehr Rasch 40. VII. Nicht Schnell 41. VIII. Frisch 42. IX. Lebhaft 43. X. Balladenmassig. Sehr Rash 44. XI. Einfach 45. XII. Mit Humor 46. XIII. Wild Und Lustig 47. XIV. Zart Und Singend 48. XV. Frisch 49. XVI. Mit Gutem Humor 50. XVII. Wie Aus Der Ferne 51. XVIII. Nicht Schnell |
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