|
巴哈: 賦格的藝術,作品BWV1080
亞伯特.卡諾.斯密特 鋼琴
First prize winner of the prestigious Naumburg Competition in 2017, like Stephen Hough, one of his mentors, Albert Cano Smit is a pianist noted for his bold choices and his taste for atypical musical associations. At the age of 9, he completed his musical education at the Abbey of Montserrat in Spain, where polyphony played a major role.
Nourished by this teaching, Albert Cano Smit chose the ultimate achievement in this field, L'Art de la fugue, for his first solo album.
“I remember hearing the opening notes of the piece for the first time, and being captivated by the impression that an entire universe was slowly being revealed through the work. Without immediately understanding the degree of complexity, I was deeply moved by the music, and I believe every listener can be. This album is my humble attempt at communicating this to every music lover. I'm grateful to them and to everyone joining me on this journey of discovery.”
Johann Sebastian Bach (1685-1750)
DIE KUNST DER FUGE · BWV 1080
THE ART OF FUGUE
1. Contrapunctus 1 (BWV 1080/1) 4'37
2. Contrapunctus 2 (BWV 1080/2) 2'49
3. Contrapunctus 3 (BWV 1080/3) 1'27
4. Contrapunctus 4 (BWV 1080/4) 2'39
5. Canon per augmentationem in contrario motu (BWV 1080/14) 4'20
6. Contrapunctus 5 (BWV 1080/5) 4'11
7. Contrapunctus 6 a 4, in stile francese (BWV 1080/6) 3'58
8. Contrapunctus 7 a 4, per augmentationem et diminutionem (BWV 1080/7) 3'46
9. Canon alla ottava in hypodiapason (BWV 1080/15) 3'38
10. Contrapunctus 8 a 3 (BWV 1080/8) 5'08
11. Contrapunctus 9 a 4, alla duodecima (BWV 1080/9) 2'25
12. Contrapunctus 10 a 4, alla decima (BWV 1080/10) 6'31
13. Contrapunctus 11 a 4 (BWV 1080/11) 6'05
14. Canon alla duodecima in contrapunto alla quinta (BWV 1080/17) 4'25
Contrapunctus 12 a 4, rectus et inversus
15. Forma recta (BWV 1080/12.1) 1'44
16. Forma inversa (BWV 1080/12.2) 1'44
Contrapunctus 13 a 3, rectus et inversus
17. Forma recta (BWV 1080/13.2) 2'11
18. Forma inversa (BWV 1080/13.1) 2'18
19. Canon alla decima in contrapunto alla terza (BWV 1080/16) 2'52
20. Fuga a 3 Soggetti (BWV 1080/10a)* reconstruction Kees van Houten 9'43
21. Choral “Wenn wir in hochsten Noten sein” canto fermo in canto (BWV 668a) 4'04
Albert Cano Smit piano |
|
