布拉姆斯/舒曼:小提琴奏鳴曲/浪漫曲 芬妮．蘿比雅 小提琴 芭蘿瑪．圭德 鋼琴 Fanny Robilliard, Paloma Kouider / Brahms, Schumann

布拉姆斯/舒曼:小提琴奏鳴曲/浪漫曲
芬妮．蘿比雅 小提琴
芭蘿瑪．圭德 鋼琴

從布拉姆斯到狄特里希(Albert Dietrich), 小提琴家芬妮．蘿比雅與鋼琴家芭蘿瑪．圭德變戲法般的喚出舒曼宿命的幽靈, 這片的節目探索在他們的生涯中留下的標記, 從F-A-E奏鳴曲到布拉姆斯的第二號小提琴奏鳴曲. 我們可在這些作品的背後看到鋼琴高手克拉拉舒曼的存在. 以代表克拉拉的A調做連結, 舒曼和布拉姆斯的奏鳴曲都暗藏著他們心愛的人, 各自顯露出熱情的一面. 的確, 搖擺憂鬱的舒曼的第一號小提琴奏鳴曲面對布拉姆斯光芒照耀的抒情主義作品. 在這無法解開的糾纏中, 芬妮．蘿比雅和芭蘿瑪．圭德將克拉拉舒曼的(小提琴與鋼琴的三首浪漫曲)作品放此專輯的中間, 並未將她降格成只是啟發者的角色. 這作品是此專輯的骨幹, 展現出她堅強的創造力量, 建立一條音樂與詩意的路徑.

From Brahms to Dietrich, violinist Fanny Robilliard and pianist Paloma Kouider conjure up the ghosts of the Schumanns' destiny. The programme explores the works that left their mark on their existence, from the F-A-E Sonata to Brahms' second Violin Sonata. Behind these works one can see the existence of the piano virtuoso Clara Schumann appear. Linked by the A key, Clara's key, both Schumann's and Brahms' sonatas bear the secret presence of their loved one, each revealing one aspect of passion. Indeed, the melancholic sway of Robert Schumann's first Violin Sonata faces the radiant lyricism of Brahms'. In this inextricable tangle, Fanny Robillard et Paloma Kouider set Clara Schumann at the center of this album, not reducing her to her inspirational role, by adding her Three Romances to the programme. Backbone of this record, this work shows how strong were her creative forces as it builds this musical and poetic path.