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拉威爾: 鋼琴協奏曲 / 維根斯坦為左手改編巴哈作品集
孫烈音 鋼琴
安雅.比爾麥爾 指揮
荷蘭海牙愛樂管弦樂團
Yeol Eum Son masterfully captures the ambivalent character of the two Ravel's Piano Concertos, almost merging them into one. Under her fingers, an equal, discreet obscurity is revealed as much in one as in the other. Led by their musical director Anja Bihlmaier, the musicians of the Residentie Orkest The Hague offer the pianist (born in 1986) lyrical phrasing and beautiful nocturnal atmospheres.
For the Korean pianist, Ravel's Concertos evokes the horrors of the Great War as much as a moment in her country's history, the wars that shook the European continent at the beginning of the 20th century echoing her nation's first independence movements.
In the form of a postlude, the four pieces by Johann Sebastian Bach presented here in arrangements for the left hand alone by Paul Wittgenstein, form more than an escape. They constitute, after the horrors of the destruction, the real moment of reparation.
maurice ravel 1875–1937
piano concerto in G major, M. 83 1929–1931
1 I. Allegramente 8'55
2 II. Adagio assai 9'17
3 III. Presto 4'12
dedicated to Marguerite Long
4 piano concerto for the left hand in D major, M. 82 1929–1930
Lento – Allegro – Tempo primo – Allegro 19'58
dedicated to Paul Wittgenstein (1887–1961)
johann sebastian bach 1685–1750
The following pieces are performed in the versions for piano left hand proposed by Paul Wittgenstein
in the third part (Volume III · Nos. 1-4) of his School for the Left Hand published in 1957.
prelude and fugue in C major, BWV 846
from das wohltemperierte klavier I 1722
5 Prelude 2'17
6 prelude in C minor, BWV 999 ca. 1725 1'21
partita no. 1 in B-fl at major, BWV 825 1726
7 VII. Gigue 3'05
sonata for fl ute and harpsichord in E-fl at major, BWV 1031 1730–1734?
8 II. Siciliano 2'56 |
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