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We have reason to remember another great conductor in 2014, as he would have turned 100 years old this August: Ferenc Fricsay. His career was cut short by his all-too-early death in 1963, but his interpretations in Salzburg set standards of excellence. C 890 142 A C 890 142 AThis was certainly the case with the German-language stage première of Frank Martin’s Le vin herbé. This production is now available as a historic live recording. Fricsay makes a strong impression with his confident sense of style in this unusual musical idiom for the tale of Tristan and Isolde. Julius Patzak and Maria Cebotari sing the main roles – both very different from those in Richard Wagner’s opera, but sung no less expressively here. In contrast to Wagner, too, this opera has a balanced overall ensemble, and the Chorus of the Vienna State Opera under Fricsay gives an audibly committed performance. Homogenous ensemble-playing and the art of listening to each other were also features of the performance of the Borodin Quartet at the Salzburg Festival in 1961. Their Salzburg première of the Eighth String Quartet by Dmitri Shostakovich confirmed them as one of the leading ensembles not just for works by this composer, but for Russian and contemporary music in general. Above and beyond this, the Borodin Quartet also demonstrated its immense stylistic competence in works by Brahms and Ravel, whose music framed the work by Shostakovich that was at the core of the evening. Their performance of these other composers was no less subtle in its dynamism and agogic power. |
F. Martin: Der Zaubertrank (nach 3 Kapiteln des Romans von Tristan und Isolde) |
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