舒伯特:2首鋼琴奏鳴曲/貝多芬:c小調32段主題與變奏曲
坎·卡默 鋼琴
在建立他精通藝術歌曲的地位之後, 舒伯特仍然必須在鋼琴奏鳴曲 - 一種貝多芬典型風格的形式 - 的範圍中展現他全部的潛力. 在他的A大調奏鳴曲,D664中, 他拋棄了傳統的奏鳴曲對比式的本質, 改成偏好用旋律為主的敘述方式, 在其中景觀會逐漸的改變, 就如同從一位旅行人所看到的觀點, 因此提出了一個既新穎又個人色彩的概念.
在這專輯中, 貝多芬作品以一系列的變奏曲為代表, 是一個他也很擅長的曲目. 32首C小調變奏曲涵蓋了從溫柔的期盼到令人想起(熱情)奏鳴曲的情緒激盪.
在1828年創作的C小調, D958, 奏鳴曲中, 是他偉大的最後三部曲中的第一部, 舒伯特以鋼琴奏鳴曲作曲家的身份宣稱是貝多芬的接班人. 在這件坎.卡默認為是對貝多芬致敬的作品中, 舒伯特達成將這位大師的影響與他自己早期奏鳴曲的抒情風格融合. 在舒伯特過世前幾週, 這位較年輕的作曲家終於能坐在貝多芬身邊與他平等對待的交談.
Can Çakmur, piano
For the fifth instalment of the critically acclaimed Schubert+ series, Can Çakmur juxtaposes the Viennese composer with his illustrious elder Ludwig van
Beethoven, for the first time in this series.
After establishing his mastery of the lied genre, Schubert still had to show his full potential in the realm of piano sonatas, a quintessentially Beethovenian form. In his
Sonata in A major, D 664, he abandons the traditionally oppositional nature of the sonata in favour of a melodybased narrative in which landscapes appear to change
gradually, as if seen from a traveller’s perspective, thus offering a conception that is as new as it is personal.
Beethoven is represented here by a series of variations, a genre in which he also excelled. The 32 Variations in C minor range from tender yearning to an emotional
turmoil reminiscent of the ‘Appassionata’ Sonata.
In the Sonata in C minor, D 958, composed in 1828, the first of his towering final trilogy, Schubert staked his claim to be seen as Beethoven’s successor as a writer of
piano sonatas. In a work that Can Çakmur sees as a tribute to Beethoven, Schubert achieves a synthesis of the master’s influence and the lyricism of his own early
sonatas. Just weeks before his death, the younger composer finally sits beside the older master and converses with him on equal terms.
Franz Schubert (1797—1828)
Piano Sonata in A major, D 664 22'40
1 ) I. Allegro moderato 10'30
2 ) II. Andante 4'04
3 ) III. Allegro 7'54
Ludwig van Beethoven (1770—1827)
4 ) 32 Variations on an Original Theme in C minor, WoO 80 10'54
Franz Schubert
Piano Sonata in C minor, D 958 30'32
5 ) I. Allegro 10'26
6 ) II. Adagio 7'12
7 ) III. Menuetto: Allegro — Trio 2'55
8 ) IV. Allegro 9'41
TT: 65'04 |
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