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This programme completes the Comédie et Tragédie project with Tempesta di Mare, and consists of suites made up of orchestral excerpts from three dramatic works of the French stage, spanning seventy-three years, all highlighting the importance of dance as a part of drama. The comédie-ballet was the brainchild of the French comedic actor, singer, dancer, and playwright Molière. After ten years of collaborating with Lully, a Suite from whose Le Bourgeois Gentilhomme features in Volume 1, he turned to Charpentier. The outcome was Le Malade imaginaire whose fourth performance would prove Molière’s last, as he died on stage. Scylla et Glaucus is the only stage work by Jean-Marie Leclair, the foremost violinist of his generation and a composer whose late opera shows the clarity of his orchestration and places its focal point on the strings, as one would expect. Les Fêtes de Polymnie is contemporary with Leclair’s opera but more forward looking in its approach, and famous for the ingenuity of Rameau’s colourful orchestration, particularly obvious in the overture. |
Jean-Marie Leclair (1697-1764) Suite from 'Scylla et Glaucus', Op. 11 (1746) 30:43 Opéra-tragédie 1 Ouverture 3:55 2 Sarabande 5:55 3 Air gracieux 1:13 4 Symphonie pour la descente de Vénus 2:24 5 Gigue 1:43 6 Passepied 1:15 7 Marche de bergers et de silvains 2:28 8 Air de silvains 1:34 9 Passacaille 4:24 10 Loure 3:02 11 Premier Air de démons - 1:00 12 Air de démons 0:57 13 Troisième Air de démons 0:52 14 Second Air 3:00 15 Symphonie pour exprimer l'aboiement des monstres 0:51 Marc-Antoine Charpentier (1643-1704) Suite from 'Le Malade imaginaire', H 495 (1673) 12:05 Comédie-ballet 16 Ouverture 1:45 17 Les Tapissiers 1:09 18 Second Air pour les tapissiers 0:40 19 Les Chirurgiens et apothicaires 0:28 20 Air des révérences 1:16 21 Entrée des Mores 1:02 22 Ritournelle 0:51 23 Premier Air des Mores 1:26 24 Second Air des Mores 0:56 25 La Fantaisie 2:25 Jean-Philippe Rameau (1683-1764) Suite from 'Les Fetes de Polymnie' (1745) 30:39 Ballet héroïque 26 Ouverture 2:38 27 Gigue 2:11 28 Ballet figuré. Gracieusement et un peu gai 1:59 29 Descente d'Oriade et d'Argélie 0:30 30 Air grave et majestueux 4:00 31 Deuxième Air vif 2:33 32 Première Gavotte en rondeau 1:17 33 Menuets 3:56 34 Air majestueux sans lenteur 2:31 35 Chaconne 4:43 36 Air gracieux en rondeau 1:25 37 [Prélude.] Gai, sans se presser 0:42 38 Mouvement vif de chaconne 2:04 |
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