加拿大女性鋼琴家是八零年代的巴哈傳奇。她崛起於一九八五年多倫多國際巴哈鋼琴大賽,這份殊榮讓她灌錄了一張巴哈鋼琴作品錄音,成為該年度最暢銷的巴哈專 輯。然她的鋼琴技藝因此讓人們在顧爾德之後,再度相信加拿大是現代巴哈鋼琴家們的產地,可惜的是,修葳特在那之後就選擇進修,遠離了唱片錄音,一直到近年 來,她自認演奏技藝純熟精進後,才接受Hyperion唱片公司的邀約,進行巴哈鋼琴作品全集的錄音,到目前為止,她已經先後完成了創意曲、法國組曲、組 曲、平均律和郭德堡變奏曲等重量級錄音,成為繼顧爾德和瑪麗亞提波之後,唯一以現代鋼琴進行巴哈鍵盤作品全集錄音的鋼琴家。修葳特的巴哈彈奏講究斷句和精 深的鋼琴語法,和顧爾德直覺式的彈奏截然不同,在這份錄音中,我們可以聽到她如何經過一再琢磨後,將巴哈的語法融入現代鋼琴的音色和觸鍵中,藉由最大幅延 展的音色和音量對比,達成浪漫派鋼琴學派的巴哈觀,彈到極致處,更使人誤以為是霍洛維茲之流的超技名家。
1. Capriccio sopra la lotananza del suo fratello dilettissimo, for keyboard in B flat major, BWV 992 (BC L181): Arioso. Adagio
2. Capriccio sopra la lotananza del suo fratello dilettissimo, for keyboard in B flat major, BWV 992 (BC L181): Andante
3. Capriccio sopra la lotananza del suo fratello dilettissimo, for keyboard in B flat major, BWV 992 (BC L181): Adagissiimo
4. Capriccio sopra la lotananza del suo fratello dilettissimo, for keyboard in B flat major, BWV 992 (BC L181): untitled
5. Capriccio sopra la lotananza del suo fratello dilettissimo, for keyboard in B flat major, BWV 992 (BC L181): Aria di Postiglione. Ada
6. Capriccio sopra la lotananza del suo fratello dilettissimo, for keyboard in B flat major, BWV 992 (BC L181): Fuga all'imitazione dell
7. Capriccio in honorem Johann Christoph Bach ii, for keyboard in E major, BWV 993 (BC L180)
8. Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: Passepied 1
9. Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: Passepied 2
10. Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: Passepied 1 (da capo)
11. Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: Sarabande
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