第1號鋼琴協奏曲是公認最能顯現浦羅高菲夫早期作曲風格的代表作,以富有旋律.動感和表情的合音組成綿密的結構,充滿了沉繹的詩意及感染性的音樂力.這是 浦氏在聖彼得堡音樂學院的習作,但卻為他贏得1916年的魯賓斯坦鋼琴大獎,當時他別出心裁地以此取代古典曲目參賽的理由是:這是讓評審一新耳目的機會! 而第4號鋼琴協奏曲則是他為奧籍的左手鋼琴家維根斯坦所寫的,也是唯一他生前未曾親自公演的曲目,與第五號同樣是玄妙.高難度的架構
1. Piano Concerto No. 1 in D flat major, Op. 10: I. Allegro brioso - Boris Berman
2. Piano Concerto No. 1 in D flat major, Op. 10: I. Andante assai - Neeme Jarvi
3. Piano Concerto No. 1 in D flat major, Op. 10: I. Allegro scherzando Boris Berman
4. Piano Concerto No. 4 in B flat major, Op. 53: I. Vivace Neeme Jarvi
5. Piano Concerto No. 4 in B flat major, Op. 53: II. Andante Neeme Jarvi
6. Piano Concerto No. 4 in B flat major, Op. 53: III. Moderato - Allegro moderato Neeme Jarvi
7. Piano Concerto No. 4 in B flat major, Op. 53: IV. Vivace Neeme Jarvi
8. Piano Concerto No. 5 in G major, Op. 55: I. Allegro con brio Neeme Jarvi
9. Piano Concerto No. 5 in G major, Op. 55: II. Moderato ben accentuato Boris Berman
10. Piano Concerto No. 5 in G major, Op. 55: III. Toccata: Allegro con fuoco Neeme Jarvi
11. Piano Concerto No. 5 in G major, Op. 55: IV. Larghetto Boris Berman
12. Piano Concerto No. 5 in G major, Op. 55: V. Vivo Neeme Jarvi
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