Trio writing enabled Baroque composers to test their ability to synthesise counterpoint, melody and harmony –a compositional ideal never so perfectly achieved as by Bach in these rare Sonatas for violin and obbligato harpsichord, which he constantly revised throughout his life.
JOHANN SEBASTIAN BACH (1685-1750)
CD1
Sonata I BWV 1014 B minor / si mineur / h-Moll"
1 I. Adagio 3'10
2 II. Allegro 2'56
3 III. Andante 2'50
4 IV. Allegro 3'08
Sonata II BWV 1015 A major / La majeur / A-Dur
5 I. [Largo] 2'58
6 II. Allegro 2'56
7 III. Andante un poco 2'42
8 IV. Presto 4'12
Sonata III BWV 1016 E major / Mi majeur / E-Dur
9 I. Adagio 3'45
10 II. Allegro 2'58
11 III. Adagio ma non tanto 4'10
12 IV. Allegro 3'40
CD2
Sonata IV BWV 1017 C minor / ut mineur / c-Moll
1 I. Largo 4'01
2 II. Allegro 4'47
3 III. Adagio 2'43
4 IV. Allegro 4'44
Sonata V BWV 1018 F minor / fa mineur / f-Moll
5 I. [Largo] 6'23
6 II. Allegro 4'38
7 III. Adagio 2'22
8 IV. Vivace 2'30
Sonata VI BWV 1019 G major / Sol majeur / G-Dur
9 I. Allegro 3'22
10 II. Largo 1'32
11 III. Allegro 4'37
12 IV. Adagio 2'59
13 V. Allegro 3'22 |
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