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布拉姆斯:2首大提琴奏鳴曲/小提琴奏鳴曲(改編曲),作品78
丹尼爾.穆勒修特 大提琴
弗朗西斯柯.皮耶蒙特吉 鋼琴
布拉姆斯的兩首大提琴奏鳴曲彼此成鮮明對比. 事實上, 這不只是因為兩件作品相隔了超過二十幾年. 他偏好將一對作品用相同的樂器配器, 而且經常是根據對比的原則來編寫. 在大提琴奏鳴曲的這個例子, 是超越了作品的特性與氣氛來形成對比的. 小提琴奏鳴曲作品78號, 是布拉姆斯最好的室內樂作品, 在改編成大提琴的版本中, 呈現出相對於另兩首原創大提琴奏鳴曲的一件優美的互補作品.
大提琴家丹尼爾.穆勒修特和鋼琴家弗朗西斯柯.皮耶蒙特吉在二十世紀作曲家的大提琴奏鳴曲錄音作品(C872151)獲得成功後, 再度合體錄製此布拉姆斯專輯.
Johannes Brahms two cello sonatas stand in stark contrast to each other. This is not solely due to the fact that more than twenty years separate the works. Brahms had a preference for pairs of works with the same instrumentation, which he frequently composed according to the principle of contrast. In the case of the cello sonatas, it is above all the character and mood of the respective pieces that supply the contrasts. In the version for cello, the Violin Sonata op. 78, one of Brahms finest chamber works, provides a charming supplement to the two original cello sonatas.
Cellist Daniel Muller-Schott and pianist Francesco Piemontesi team up again for this all-Brahms programme after the great success of their recording of cello sonatas by 20th-century composers (C872151).
JOHANNES BRAHMS (1822–1897)
1–3 Sonate fur Violoncello und Klavier Nr. 1 e-Moll, op. 38 Sonata for cello and piano no. 1 in E minor, Op. 38
4–6 Sonate fur Violine und Klavier D-Dur, op. 78 (Fassung fur Violoncello und Klavier) Sonata for violin and piano in D major, Op. 78 (Version for cello and piano)
7–10 Sonate fur Violoncello und Klavier Nr. 2 F-Dur, op. 99 Sonata for cello and piano no. 2 in F major, Op. 99
Daniel Muller-Schott Violoncello / cello Francesco Piemontesi Klavier / piano |
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