|
海頓: 聖母悼歌 / 巴黎交響曲(第84/86號)
朱利安·修方 指揮/小提琴
旅館音樂會合奏團
法麗 女高音
Playing on period instruments, Le Concert de la Loge and their conductor Julien Chauvin continue their Haydn adventure with a programme consisting of two more of the Paris Symphonies (nos. 84 and 86), together with the now little-known and rarely heard Stabat Mater. Composed in 1767, with the Sturm und Drang movement at its height, the latter was nevertheless one of the most frequently performed of Haydn's works during his lifetime. Strikingly sober in expression and contemplative in character ("Fac me vere tecum flere"), it also contains moments of exaltation ("Sancta Mater, istud agas").
CD1
1-4. Symphony no.84 in E flat major, Hob.I:84 "La Discrete"
I. Largo – Allegro
II. Andante
III. Menuetto. Allegretto
IV. Finale. Vivace
5-11. Stabat Mater, Hob.XXbis – part 1
Stabat Mater dolorosa
O quam tristis et afflicta
Quis est homo qui non fleret
Quis non posset contristari
Pro peccatis suæ gentis
Vidit suum dulcem natum
Eja Mater, fons amoris
CD2
1-7. Stabat Mater, Hob.XXbis – part 2
Sancta Mater, istud agas
Fac me vere tecum flere
Virgo virginum præclara
Inflammatus et accensus
Fac me cruce custodiri
Quando corpus morietur
Paradisi gloria 3'10
8-11. Symphony no.86 in D major, Hob.I:86 "La Capricieuse"
I. Adagio – Allegro spiritoso
II. Capriccio. Largo
III. Menuet. Allegretto – Trio
IV. Finale. Allegro con spirito |
|
