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海頓: (基督最後七言) 佩里斯.拉卡薩改編
布拉札克弦樂四重奏
海倫.卡恩絲 女高音
Joseph Haydn was commissioned by a canon of Cadiz, Jose Saenz de Santamaria, Marques de Valde-Inigo, to compose a work for performance on Good Friday 1787 in the city's Oratorio de la Santa Cueva. The result was the orchestral version of The Seven Last Words of Our Saviour on the Cross, which Haydn arranged shortly afterwards for string quartet, a version that was to prove an enduring success.
More recently, in 2008, the composer Jose Peris Lacasa, a student of Milhaud, Boulanger and Markevitch, provided a version for string quartet and soprano voice, with the latter singing the Latin text originally written by Haydn under the first violin part. Far from distorting the original piece, this version, performed here by the Prazak Quartet with the Irish soprano Helen Kearns, sheds new light on one of Haydn's great masterpieces.
Die sieben letzten Worte Jesu Christi (Arr. for String Quartet and Soprano by Jose Peris Lacasa)
1 I. Introduzione. Maestoso ed Adagio 04:09
2 II. Sonata I (Largo. Pater, dimitte illis, non enim sciunt quid faciunt) 06:57
3 III. Sonata II (Grave e cantabile. Amen dico tibi: hodie mecum eris in paradiso) 06:13
4 IV. Sonata III (Grave. Mulier, ecce filius tuus, et tu, ecce mater tua) 07:09
5 V. Sonata IV (Largo. Deus meus, ut quid dereliquisti me?) 05:54
6 VI. Sonata V (Adagio. Sitio) 05:36
7 VII. Sonata VI (Lento. Consummatum est) 05:50
8 VIII. Sonata VII (Largo. Pater, in manus Tuas commendo spiritum meum) 06:33
9 IX. Il Terremoto (Presto e con tutta la forza) 01:57 |
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