莫札特女中音-歌劇詠嘆調及其他聲樂歌曲集
瑪麗娜.維奧蒂 女中音
史蒂芬.麥克勞德 指揮
日內瓦天使合奏團
And Mozart created the mezzo?
In Mozart's day, the vocal typologies that we know today were yet to be established. Women were sopranos, castrati were castrati, and Mozart wrote for personalities and vocal colours rather than for abstract voice types. Providing we set aside the labels that are used nowadays, a female singer can cover a whole range of expressive and dramatic possibilities in Mozart's works, and take on the roles of many different characters, including those belonging to the rich repertoire that Mozart bestowed on castrato voices.
With the help of Stephan MacLeod, at the helm of his ensemble Gli Angeli Geneve, Marina Viotti has put together a programme that embraces the diversity and versatility of Mozart's vocalism.
1 Così fan tutte, K. 588 "Ah, scostati" (Dorabella) 01:06 2 Così fan tutte, K. 588 "Smanie implacabili" (Dorabella) 01:48 3 Ch'io mi scordi di te, K. 505 "Ch'io mi scordi di te" 02:11 4 Ch'io mi scordi di te, K. 505 "Non temer, amato bene" 07:58 5 Le nozze di Figaro, K. 492 "Giunse alfin il momento" (Susanna) 01:13 6 Le nozze di Figaro, K. 492 "Deh vieni, non tardar" (Susanna) 03:13 7 Mitridate, re di Ponto, K. 87 "Venga pur, minacci e frema" (Farnace) 06:37 8 Ascanio in Alba, K. 111 "Perche tacer degg'io?" (Ascanio) 05:00 9 Ascanio in Alba, K. 111 "Cara, lontano ancora" (Ascanio) 04:30 10 Exsultate, jubilate, K. 165 I. Allegro: Exsultate, jubilate 04:26 11 Exsultate, jubilate, K. 165 II. Recitativo secco: Fulget amica dies 48 12 Exsultate, jubilate, K. 165 III. Andante: Tu virginum corona 05:41 13 Exsultate, jubilate, K. 165 IV. Allegro: Alleluia, alleluia 02:38 14 Le nozze di Figaro, K. 492 "Voi che sapete" (Cherubino) 02:54 15 La finta giardinera, K. 196 "Va' pure ad altri in braccio" (Ramiro) 03:25 16 La clemenza di Tito, K. 621 "Parto, ma tu ben mio" (Sesto) 06:06 17 Mass in C minor, K. 427 Laudamus te 04:43 |
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