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柯奈莉.佛肯(法國女高音) 莫札特/貝多芬/白遼士/羅西尼等:歌劇詠嘆調選集
雅莉珊卓.庫莎克 女高音
巴森.阿基基阿基基 指揮
變形室內樂團
Who is Cornelie Falcon? Although the Falcon soprano, a rare vocal type, is well known today, its original model is much less so.
A contemporary of Pauline Viardot and La Malibran, Cornelie Falcon was one of the stars of fine French belcanto. An exceptional singer, her voice with its generous and powerful low register, capable of reaching impressive heights, gave her both a meteoric rise and a tragic destiny.
Polish soprano Aleksandra Kurzak and the Morphing Orchestra embrace her repertoire and her history, taking up the milestones of her triumph, from Rossini's roles of Donna Anna and La Comtesse (Le Comte Ory) to the creations of Halevy (La Juive), Meyerbeer (Les Huguenots), Spontini (La Vestale) and Niedermeyer (Stradella). In this striking embodiment, Aleksandra Kurzak shines the spotlight on one of the most sensational artisans of French opera, combining virtuosity and beauty of line with unrivalled expressive and dramatic power.
WOLFGANG AMADEUS MOZART Don Giovanni, K. 527
1. "Crudele ? Ah no, mio bene" (Donna Anna) 1'34
2. "Non mi dir, bell'idol mio" 4'48
LUDWIG VAN BEETHOVEN Ah! Perfido, op. 65
3. "Ah! Perfido" 3'21
4. Aria. "Per pieta, non dirmi addio" 5'03
5. "Ah crudel! tu vuoi ch'io mora!" 4'48
GASPARE SPONTINI La Vestale
6. Air. "Toi que j'implore avec effroi" (Julia) 5'29
7. Recit et air. "Sur cet autel sacre que ma douleur assiege" 5'26
FROMENTAL HALEVY La Juive
8. Romance. "Il va venir" (Rachel) 5'06
GIACOMO MEYERBEER Les Huguenots
9. Recitatif et air. "Je suis seule chez moi…
Parmi les pleurs, mon rêve se ranime" (Valentine) 5'57
LOUIS NIEDERMEYER Stradella
10. Recit et air. "Ah ! quel songe affreux" (Leonor) 6'31
GIOACHINO ROSSINI Le comte Ory
11. "En proie a la tristesse" (La Comtesse) 5'58
HECTOR BERLIOZ
12. Le jeune pâtre breton, H 65 5'27
CARL MARIA VON WEBER Der Freischutz
13. "Wie nahte mir der Schlummer… Leise, leise, fromme Weise!" (Agathe) 9'09 |
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