安尼巴萊.帕多瓦諾: (在美麗的陰影中),(毒舌先生)彌撒曲
十六世紀合唱團
Celebrated in his time as a 'man of great worth', who 'really knew how to play well and compose well', Annibale Padovano's modern-day neglect doesn't reflect the high regard in which he was held. Cinquecento deliver flawless accounts of two major Mass settings as they might have been heard in Karl II's Habsburg court.
Missa A la dolc' ombra [33'09]
1 Kyrie I [1'35]
2 Christe [1'33]
3 Kyrie II [1'42]
4 Gloria in excelsis Deo [3'22]
5 Domine Deus, Agnus Dei [4'05]
6 Credo in unum Deum [3'31]
7 Et incarnatus est [1'17]
8 Crucifixus [3'05]
9 Et in Spiritum Sanctum [3'28]
10 Sanctus [2'24]
11 Benedictus [1'16]
12 Osanna [1'18]
13 Agnus Dei I [2'10]
14 Agnus Dei II [2'23]
15 A la dolc' ombra [9'40]Cipriano de Rore (1515/16-1565)
16 Domine a lingua dolosa a 5 [4'03]
Missa Domine a lingua dolosa [28'16]
17 Kyrie I [1'22]
18 Christe [1'25]
19 Kyrie II [1'32]
20 Gloria in excelsis Deo [2'50]
21 Domine Deus, Agnus Dei [3'17]
22 Credo in unum Deum [3'03]
23 Et incarnatus est [1'18]
24 Crucifixus [2'27]
25 Et in Spiritum Sanctum [2'44]
26 Sanctus [2'06]
27 Benedictus [0'56]
28 Osanna [1'09]
29 Agnus Dei I [1'46]
30 Agnus Dei II [2'21] |
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