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十七世紀的英國,由於具有強烈的戲劇傳統(音樂只用來當做配樂),而宮廷娛樂也以假面劇為尚(結合音樂、詩篇、舞蹈與華麗秀),因此不像當時的義大利、法國和德國,對以歌唱為主的歌劇做出重大發展。即使像普賽爾和韓德爾等活躍於英國的大作曲家,也只各寫作一齣英語歌劇,而且只在私人場合演出過。為了彌補英國本身幾乎沒有重量級歌劇作品的缺憾,彼得摩爾基金會從1995年起就贊助CHANDOS唱片公司,灌錄《英語唱歌劇》系列,迄今為止所推出的專輯都獲得很高的評價。本輯是他們的巴洛克歌劇精選集,戲碼包括:普賽爾《亞瑟王》,韓德爾《凱撒大帝》/《西麥爾》/《雷納多》/《阿西斯與加拉提亞》/《賽瑟斯》/《參遜》,以及葛路克《奧菲斯與尤麗狄采》等等。擔綱演唱歌手均為英國歌劇舞台第一線佼佼者,整體而言,無疑是一場讓內行人聽到耳朵出油的豪華巴洛克饗宴。
1 King Arthur, Z. 628, Act V: Venus' Air: Fairest isle by Yvonne Kenny 3:08 2 The Indian Queen, Z. 630, Act I: Aerial Spirit Solo: I attempt from love's sickness by Yvonne Kenny 1:35 3 Giulio Cesare, HWV 17, Act I Scene 1: Aria: Grief and woe all hope deny me by Sarah Walker 6:15 4 Semele, HWV 58: Where'er you walk by Bruce Ford 4:23 5 Giulio Cesare, HWV 17, Act II Scene 2: Aria: Wounded, the serpent ne'er reposes by Della Jones 5:09 6 Acis and Galatea, HWV 49a: Recitative and Aria: I rage, I rage, I rage, I melt, I burn by John Tomlinson 4:45 7 Rinaldo, Act II: Aria: Hear thou my weeping (Lascia ch'io pianga) by Yvonne Kenny 4:19 8 Giulio Cesare in Egitto, HWV 17 (Sung in English): Act III Scene 1: Aria: I shall tame your pride unbending by Janet Baker 4:22 9 Giulio Cesare in Egitto, HWV 17 (Sung in English): Act III Scene 1: Aria: Flow, my tears by Janet Baker 6:57 10 Giulio Cesare in Egitto, HWV 17 (Sung in English): Act I Scene 4: How silently, how slyly by Janet Baker 6:35 11 Serse (Xerxes), HWV 40 (Sung in English): Serse, HWV 40, Act I: Recitative and Aria: May the Fates be kind (Ombra mai fu) by Della Jones 3:41 12 Samson, HWV 57: Air: Honour and arms scorn such a foe by John Tomlinson 6:32 13Giulio Cesare in Egitto, HWV 17 (Sung in English): Act I Scene 4: Duet: Condemned to grieve and cry by Sarah Walker 7:47 14 Giulio Cesare in Egitto, HWV 17 (Sung in English): Act III Scene 2: Aria: Stormy winds my ship had shaken by Sarah Walker 6:30 15 Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) by Diana Montague 4:13 |
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