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The history of the horn and its technical development has been of particular importance to French music for a long time. In contrast to Germany, horn players in France initially declined to use the valved horn after its invention in the nineteenth century, which was reflected in the style of composition of the time. Juxtaposing works for horn and piano of the nineteenth and twentieth centuries allows an insight into the different playing techniques of the instrument and its development from natural to valved horn, the turning point of which is exemplified by Paul Dukas’ Villanelle. The two Italian musicians Guglielmo Pellarin (horn) and Federico Lovato (piano) are making their joint recording début with this disc and have also chosen rarely heard works by the contemporary French composers Jean-Michel Damase and Jean-Michel Defaye, featuring surprising jazzy elements. The Sonata for Horn and Piano by Jean-Michel Damase is a premiere recording. |
CAMILLE SAINT-SAëNS Guglielmo Pellarin | Federico Lovato Romance for horn & piano, Op. 36(03:48) JEAN-MICHEL DAMASE Sonata for horn & piano Guglielmo Pellarin | Federico Lovato I. Allegro(05:45) II. Andante(04:49) III. Allegro vivo(04:32) CAMILLE SAINT-SAëNS Guglielmo Pellarin | Federico Lovato Romance for horn & piano, Op. 67(08:45) JEAN-MICHEL DEFAYE Guglielmo Pellarin | Federico Lovato ALPHA for horn & piano(07:40) FRANCIS POULENC Guglielmo Pellarin | Federico Lovato Elegie for horn & piano(09:40) Guglielmo Pellarin | Federico Lovato Villanelle for horn & piano(06:32) |
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