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What an ambiguous programme! A modern-day music lover concerned about the accuracy of his or her points of reference and the excellence of his or her taste might a priori be irritated, on listening to the pieces that make up this recital, to see placed on the same level one of the most eminent composers in musical and a completely unknown figure, Debussy and La Presle; similarly, is it good form to permit Duparc and Boulanger, two 'geniuses struck down in their prime' whose creative existences were so prematurely interrupted by incapacity or death, to form a ménage à trois here with that naughty boy Reynaldo Hahn, the podgy prince of operetta? More than a century after the event, we believe that artistic history has already separated the wheat from the chaff, that the distinction between timeless artists and urbane amusers is well established. |
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